AUSSTELLUNGSSCHIFF OFFENBACH
SCHUTE VITA
SAISONSTART / AUSSTELLUNGSERÖFFNUNG
SAMSTAG DEN 18.6.2011 UM 18 UHR - OPEN END
KÜNSTLER
BEATRICE STEIMER / FILM & PERFORMANCE
YOUNG LEE / SCULPTUREPERFORMANCE
KONRAD DEINES / INSTALLATION & LANDSCHAFTSARCHITEKTUR
PHILIPP DEINES / INSTALLATION & FILM
AB 21.30 LIVE / DIE SEGEL
MEDIA-PERFORMANCE / THEATER
DIRK BAUMANNS, DANIEL EYRICH, LISA KLINGER, ERIC PFEIFFER, SVEN SCHUPPAR, TAMARA ZIPPEL
PARTY AB CA 22 UHR
DJ`S PHILIP BERG & SERGIO CASARIVA
DIE SCHUTE VITA IST EIN KUNSTPROJEKT INITIIERT VON ANJA CZIOSKA UND WIRD UNTERSTÜTZT VON „PROJEKT HAFEN OFFENBACH“. DANKE ANDREAS KEILWERTH /KAPITÄN.
DIE AUSSTELLUNGEN, KÜNSTLER, PERFORMER, DJ'S UND BANDS WERDEN VON VERSCHIEDENEN, JUNGEN KURATOREN KOORDINIERT.
DAS SCHIFF BEFINDET SICH AN DER HAFENMOLE DER HAFENINSEL KURZ VOR DEM KING KAMEHA BEACH CLUB AUF DER LINKEN SEITE. WWW.SCHUTE-VITA.DE & FACEBOOK
NORDART 2011
"Sa 4. Juni, 17 Uhr
AUSSTELLUNGSERÖFFNUNG NORDART 2011
www.kunstwerk-carlshuette.de
Unter den Teilnehmern: Slava Seidel
NordArt-Preis 2010 Übergabe an Zen Chenggang
Eröffnung Eintritt frei. Vor der ACO Wagenremise im Skulpturenpark"
AUSSTELLUNGSERÖFFNUNG NORDART 2011
www.kunstwerk-carlshuette.de
Unter den Teilnehmern: Slava Seidel
NordArt-Preis 2010 Übergabe an Zen Chenggang
Eröffnung Eintritt frei. Vor der ACO Wagenremise im Skulpturenpark"
"Gefundene Filme" Günter Zehetner in der Lothringer 13 Halle in München
Begleitveranstaltung zur aktuellen Ausstellung "Staging Documentary"
Im Rahmen der aktuellen Ausstellung „Staging Documentary“ lädt die Lothringer_13_Halle zu folgender Veranstaltung ein:
Günter Zehetner, Projektpräsentation „Gefundene Filme oder die Irrelevanz des Wirklichen“
Di, 31.05.2011, um 19:00 Uhr (Dauer: ca. 60 Minuten)
Wir freuen uns sehr, Ihnen im Rahmen dieser Veranstaltung den Filmemacher Günter Zehetner vorstellen zu dürfen, der über sein Projekt „Gefundene Filme oder die Irrelevanz des Wirklichen“ sprechen wird.
Film ist eine Kulturtechnik, die ursprünglich der Unterhaltungsindustrie vorbehalten war. Durch die Einbindung des Bürgers entstehen der Filmamateur und damit eine Anhäufung von Filmmaterial, welches ohne Auftrag entstanden ist. Die Auseinandersetzung mit diesen Autoren und die Zuordnung einer entsprechenden Relevanz ihrer Werke innerhalb der Filmgeschichte sind die Fragestellungen und die Aufgaben des Projektes „Gefundene Filme“. Dabei zeigt sich, dass auch in diesen Amateurfilmen aus dem privaten Kontext auf vielfältige Weise eine Inszenierung von Wirklichkeit stattfindet. Durch die kultur- und filmhistorische Auswertung dieses Materials ermöglicht Günter Zehetner einen Blick auf die verschiedenen Strategien der Vermittlung von Wirklichkeit und dockt damit an das inhaltliche Konzept von „Staging Documentary“ an.
Website: http://www.lothringer13.de/halle/
Günter Zehetner
*1965 Wels/ Oberösterreich. Lebt und arbeitet in Frankfurt am Main.
1998 Meisterschüler bei Peter Kubelka
In den letzten Jahren realisierte Günter Zehetner verschiedene Filmprojekte und seine Arbeiten wurden in diversen nationalen und internationalen Filmschauen und Ausstellungen gezeigt.
(Auswahl)
2011 „FILM SPRICHT“ , Workshop, Schule unabhängiger Film (Friedl Kubelka), Wien/ Österreich
2010 Beitrag zur Programmreihe „Reel to Real“ im Mousonturm, Frankfurt am Main
2010 „Film im Handtaschenformat“, Workshop zum Thema Amateurfilm im Kontext der Filmgeschichte, „Der Mensch mit der Kamera“, Programm und Vortrag aus dem fortlaufenden Projekt „Gefundene Filme“, Kinothek Asta Nielsen, Frankfurt am Main
2009 Aufnahme der Super-8 Filmarbeit als 63. Programm in den Zyklus „Was ist Film“ im Österreichischen Filmmuseum in Wien/ Österreich
2008 „TIE: The International Experimental Cinema Exposition“, Retrospektive des Super-8 Werks von Günter Zehetner, Paonia, Colorado/ USA
Öffentliche Führungen zur aktuellen Ausstellung „Staging Documentary“
Jeden Dienstag bietet die Lothringer_13_Halle eine öffentliche Führung zur Ausstellung „Staging Documentary“ an. Anhand von zwei oder drei ausgewählten Arbeiten soll mit Blick auf das Gesamtkonzept des Ausstellungsprojektes eine vertiefte Auseinandersetzung angeregt werden. Die Führungen beginnen um 17:00 Uhr (Dauer: ca. 60 Minuten)
Di, 31.05.2011: Staging Documentary. Schwerpunkt: Omer Fast, Charlotte Ginsborg, Deimantas Narkevičius (mit Felix Ruhöfer, Kurator/ Leitung)
Di, 07.06.2011: Staging Documentary. Schwerpunkt: Rosa Barba, Oliver Boberg, Sven Johne (mit Anna-Cathérine Koch, kuratorische Assistentin)
Di, 14.06.2011: Staging Documentary. Schwerpunkt: Cheryl Dunye, Klaus Heid, Adrian Paci (mit Anna-Cathérine Koch, kuratorische Assistentin)
Di, 21.06.2011: Staging Documentary. Schwerpunkt: Ant Farm, Peter Müller/ Adrian Nießler (mit Felix Ruhöfer, Kurator/ Leitung)
Begleitveranstaltung und öffentliche Führungen zur Ausstellung „Staging Documentary“ sind kostenlos. Eine Anmeldung ist nicht erforderlich. Die Veranstaltungen finden in den Ausstellungsräumen der Lothringer_13_Halle, Lothringer Strasse 13, 81667 München, statt. Weitere Informationen erhalten Sie unter 089-4486961 oder info@lothringer13.de.
WWW.LOTHRINGER13.DE
LOTHRINGER_STRASSE_13
81667 MÜNCHEN
ÖFFNUNGSZEITEN:
DI-SO_11:00-19:00
Im Rahmen der aktuellen Ausstellung „Staging Documentary“ lädt die Lothringer_13_Halle zu folgender Veranstaltung ein:
Günter Zehetner, Projektpräsentation „Gefundene Filme oder die Irrelevanz des Wirklichen“
Di, 31.05.2011, um 19:00 Uhr (Dauer: ca. 60 Minuten)
Wir freuen uns sehr, Ihnen im Rahmen dieser Veranstaltung den Filmemacher Günter Zehetner vorstellen zu dürfen, der über sein Projekt „Gefundene Filme oder die Irrelevanz des Wirklichen“ sprechen wird.
Film ist eine Kulturtechnik, die ursprünglich der Unterhaltungsindustrie vorbehalten war. Durch die Einbindung des Bürgers entstehen der Filmamateur und damit eine Anhäufung von Filmmaterial, welches ohne Auftrag entstanden ist. Die Auseinandersetzung mit diesen Autoren und die Zuordnung einer entsprechenden Relevanz ihrer Werke innerhalb der Filmgeschichte sind die Fragestellungen und die Aufgaben des Projektes „Gefundene Filme“. Dabei zeigt sich, dass auch in diesen Amateurfilmen aus dem privaten Kontext auf vielfältige Weise eine Inszenierung von Wirklichkeit stattfindet. Durch die kultur- und filmhistorische Auswertung dieses Materials ermöglicht Günter Zehetner einen Blick auf die verschiedenen Strategien der Vermittlung von Wirklichkeit und dockt damit an das inhaltliche Konzept von „Staging Documentary“ an.
Website: http://www.lothringer13.de/halle/
Günter Zehetner
*1965 Wels/ Oberösterreich. Lebt und arbeitet in Frankfurt am Main.
1998 Meisterschüler bei Peter Kubelka
In den letzten Jahren realisierte Günter Zehetner verschiedene Filmprojekte und seine Arbeiten wurden in diversen nationalen und internationalen Filmschauen und Ausstellungen gezeigt.
(Auswahl)
2011 „FILM SPRICHT“ , Workshop, Schule unabhängiger Film (Friedl Kubelka), Wien/ Österreich
2010 Beitrag zur Programmreihe „Reel to Real“ im Mousonturm, Frankfurt am Main
2010 „Film im Handtaschenformat“, Workshop zum Thema Amateurfilm im Kontext der Filmgeschichte, „Der Mensch mit der Kamera“, Programm und Vortrag aus dem fortlaufenden Projekt „Gefundene Filme“, Kinothek Asta Nielsen, Frankfurt am Main
2009 Aufnahme der Super-8 Filmarbeit als 63. Programm in den Zyklus „Was ist Film“ im Österreichischen Filmmuseum in Wien/ Österreich
2008 „TIE: The International Experimental Cinema Exposition“, Retrospektive des Super-8 Werks von Günter Zehetner, Paonia, Colorado/ USA
Öffentliche Führungen zur aktuellen Ausstellung „Staging Documentary“
Jeden Dienstag bietet die Lothringer_13_Halle eine öffentliche Führung zur Ausstellung „Staging Documentary“ an. Anhand von zwei oder drei ausgewählten Arbeiten soll mit Blick auf das Gesamtkonzept des Ausstellungsprojektes eine vertiefte Auseinandersetzung angeregt werden. Die Führungen beginnen um 17:00 Uhr (Dauer: ca. 60 Minuten)
Di, 31.05.2011: Staging Documentary. Schwerpunkt: Omer Fast, Charlotte Ginsborg, Deimantas Narkevičius (mit Felix Ruhöfer, Kurator/ Leitung)
Di, 07.06.2011: Staging Documentary. Schwerpunkt: Rosa Barba, Oliver Boberg, Sven Johne (mit Anna-Cathérine Koch, kuratorische Assistentin)
Di, 14.06.2011: Staging Documentary. Schwerpunkt: Cheryl Dunye, Klaus Heid, Adrian Paci (mit Anna-Cathérine Koch, kuratorische Assistentin)
Di, 21.06.2011: Staging Documentary. Schwerpunkt: Ant Farm, Peter Müller/ Adrian Nießler (mit Felix Ruhöfer, Kurator/ Leitung)
Begleitveranstaltung und öffentliche Führungen zur Ausstellung „Staging Documentary“ sind kostenlos. Eine Anmeldung ist nicht erforderlich. Die Veranstaltungen finden in den Ausstellungsräumen der Lothringer_13_Halle, Lothringer Strasse 13, 81667 München, statt. Weitere Informationen erhalten Sie unter 089-4486961 oder info@lothringer13.de.
WWW.LOTHRINGER13.DE
LOTHRINGER_STRASSE_13
81667 MÜNCHEN
ÖFFNUNGSZEITEN:
DI-SO_11:00-19:00
opening 02/06, THE PRIVATE LIFE OF PLANTS, Long, Noonan, Orton, Palmieri
THE PRIVATE LIFE OF PLANTS
JOSEPH LONG
DAVID NOONAN
KARL ORTON
MARCO PALMIERI
opening 02/06, 7-9pm
show open by appointment until 13/07
PELES EMPIRE
25F Belfast Road
London
N16 6UN
UNITED KINGDOM
♦
PELES EMPIRE
Fabrica de Pensule, etaj 1
59-61 Henri Barbusse Street
400616 Cluj-Napoca
ROMANIA
www.pelesempire.com
JOSEPH LONG
DAVID NOONAN
KARL ORTON
MARCO PALMIERI
opening 02/06, 7-9pm
show open by appointment until 13/07
PELES EMPIRE
25F Belfast Road
London
N16 6UN
UNITED KINGDOM
♦
PELES EMPIRE
Fabrica de Pensule, etaj 1
59-61 Henri Barbusse Street
400616 Cluj-Napoca
ROMANIA
www.pelesempire.com
SLAVA SEIDEL - TRAUMREVIER
Frankfurter KunstBlock
SLAVA SEIDEL – TRAUMREVIER
DONNERSTAG, 9. JUNI 2011 AB 19 UHR
Gegen 20 Uhr spricht Kurator Florian Koch einführende Worte. Zur Ausstellung erscheint ein Katalog.
Die Ausstellung ist vom 10. Juni bis zum 26. August 2011 werktags von 10 – 17 Uhr zu besichtigen.
Frankfurter KunstBlock FKB
BellaVista Film im Artemis Haus
Tel: 069 - 40 59 02 75
Hanauer Landstraße 139 (Hof)
Fax: 069 - 40 59 02 76
60314 Frankfurt am Main
fkb@bellavista-film.com
Montag – Freitag von 10 – 17 Uhr
www.frankfurter-kunstblock.de
DANI GAL
DANI GAL
at the 54th Venice Biennale.
ILLUMInazioni
curated by Bice Curiger
4 June - 27 November 2011
Nacht und Nebel (Night and Fog) I 2011 I HD video film I 22 minutes
Fifty years ago on April 11, 1961, the trial of Adolf Eichmann began. He was tried in an Israeli court and charged for committing crimes against humanity and war crimes and was convicted and executed by hanging on May 31, 1962.
On a night, between the 31st of May and the 1st of June1962 shortly after the execution and the cremation of the body, a group of police officers sailed on a boat 6 miles out of the shores of Jaffa port. Their mission was to scatter Eichmann’s ashes into the international waters of the Mediterranean Sea. The purpose of the highly secret mission was to ensure that there could be no future memorial and that no nation would serve as his final resting place.
Based on an interview Dani Gal made with Michael Goldman, a Holocaust survivor who was one of the policemen on the boat, the film re-enacts the scene of the group of policemen sailing on a dark foggy night with Eichmann’s ashes in a jug of milk.
for further information on the artist and his work please contact the gallery at
office@freymondguth.com
+41 (0)44 240 0481
+41 (0)76 320 9289
at the 54th Venice Biennale.
ILLUMInazioni
curated by Bice Curiger
4 June - 27 November 2011
Nacht und Nebel (Night and Fog) I 2011 I HD video film I 22 minutes
Fifty years ago on April 11, 1961, the trial of Adolf Eichmann began. He was tried in an Israeli court and charged for committing crimes against humanity and war crimes and was convicted and executed by hanging on May 31, 1962.
On a night, between the 31st of May and the 1st of June1962 shortly after the execution and the cremation of the body, a group of police officers sailed on a boat 6 miles out of the shores of Jaffa port. Their mission was to scatter Eichmann’s ashes into the international waters of the Mediterranean Sea. The purpose of the highly secret mission was to ensure that there could be no future memorial and that no nation would serve as his final resting place.
Based on an interview Dani Gal made with Michael Goldman, a Holocaust survivor who was one of the policemen on the boat, the film re-enacts the scene of the group of policemen sailing on a dark foggy night with Eichmann’s ashes in a jug of milk.
for further information on the artist and his work please contact the gallery at
office@freymondguth.com
+41 (0)44 240 0481
+41 (0)76 320 9289
Films and Filming
FILMS & FILMINGJUNE 21 – JULY 31, 2011OPENING RECEPTION: SATURDAY,JUNE 18TH, FROM 7 TO 9 PMAN EXHIBITION OF WORKS BY:JULIAN GOETHEVIOLA KLEINMICHAEL KREBBERNINA KOENNEMANNCHRISTINE LEMKEKEN OKIISHIJOSEPHINE PRYDESABINE REITMEIERHINDA WEISSSELECTED BY:DAVID LIESKEBISCHOFF PROJECTSHANAUER LANDSTRASSE 20-22D-60314 FRANKFURT AM MAIN
“Gallus Calling" zum Kulturfestival "Go West"
"Gallus Calling" zum Kulturfestival "Go West"
Finissage: 29.05.2011, ab 16 Uhr
Ausstellungsort:
Teves-Gelände, Rebstöcker Straße 41-53, 60326 Frankfurt
Teves-Gelände, Rebstöcker Straße 41-53, 60326 Frankfurt
Ximena Aburto Felis, Veronica Aguilera, Deniz Alt, Anette Babl, Dirk Baumanns, Sascha Boldt, Giorgio Capogrossi, Il-Jin Atem Choi, Catharina Cronenberger Golebiowska, Daniel Eyrich, Zero Reiko Ishihara, Mike MacKeldey, Lisa Klinger, Mirek Macke, Bernd Metz, Eva Moll, Katja Ostermeyer, Erik Pfeiffer, Anke Röhrscheid, Edwin Schäfer, Anselm Schenkluhn, Sven Schuppar, Jol Thomson, Oliver C. Tüchsen, Michael Uecke, Max Weinberg, Martin Hakan Weigl, Silja Yvette, Tamara Zippel, Jaime Sanjuan, Ramo Mayer, Edwin Schäfer, Christoph von Loew, Jos Diegel, Jan Lotter, Max Pauer, Christiaan Tonnis, Markus Morley.
Infos unter www.gowest-frankfurt.de
NOBODY CAN TELL THE WHY OF IT
NOBODY CAN TELL THE WHY OF IT
27/05 – 14/08/2011
Preview: Friday 27/05 19:00
New works by: Nicholas Byrne, Timothy Furey, Ken Okiishi, Nick Mauss, Josef Strau
Curated by Esperanza Rosales
Performance by Labanna Bly Friday 27/05, 21:00
Organised in collaboration with Ny Musikk
●●●
The weather had turned so much worse that the rest of the day was certainly lost. The wind had risen and the storm gathered force; they gave from time to time a thump at the firm windows and dashed even against those protected by the verandah their vicious splotches of rain. Beyond the lawn, beyond the cliff, the great wet brush of the sky dipped deep into the sea. But the lawn, already vivid with the touch of May, showed a violence of watered green; the budding shrubs and trees repeated the note as they tossed their thick masses, and the cold troubled light, filling the pretty saloon, marked the spring afternoon as sufficiently young.
Those seated there in silence could pursue without difficulty – as well as, clearly, without interruption – their respective tasks; a confidence expressed, when the noise of the wind allowed it to be heard, by the sharp scratch of a pen at the table, busy with letters.
The visitors, settled onto a small set of stairs that, with a palm-tree, a screen, a stool, a lamp, a stand, a bowl of flowers and three photographs in silver frames, had been arranged near the light wood-fire as a choice "corner" – the guests turned audibly, though at intervals neither brief nor regular, the leaves of books covered in lemon-coloured paper and not yet despoiled of a certain fresh crispness. The effect of these volumes, for the eye, would have made them, as presumably the newest French novels – and evidently, from the attitude of the readers, "good" – consort happily with the special tone of the room, a consistent air of selection and suppression, one of the finer aesthetic evolutions. If the writer was fond of ancient French furniture and distinctly difficult about it, her inmates could be fond – with whatever critical cocks of charming dark-braided heads over slender sloping shoulders – of modern French authors. Nothing bad passed for half an hour – nothing at least, to be exact, but that each of the companions occasionally and covertly intermitted their pursuits in such a manner as to ascertain the degree of absorption of the other without turning round. What their silence was charged with therefore was not only a sense of the weather, but a sense, so to speak, of its own nature.
Henry James, "The Story of It", with small insertions by Esperanza Rosales
●●●
About the artists:
Nicholas Byrne (b. 1979, England) lives and works in London. Recent exhibitions include 'Faces' with Nora Schultz at dépendance gallery, Brussels, 'A Catholic Episode' and the two-person exhibition 'Seven Metals Seven Planets Seven Days of the Week,' (with Michaela Eichwald), at Vilma Gold, London, as well as 'The Divider' at Studio Voltaire, London. Nick has been in numerous group exhibitions including The Island: Radio IPS, International Project Space, Birmingham and 'Calypsos', with Anthea Hamilton, Studio Voltaire, London and 'Tales Of Song,' Marc Foxx Gallery, LA.
Timothy Furey (b. 1981, Ireland) is an artist living in Frankfurt. His work has been exhibited in group shows at Galerie Parisa Kind, Frankfurt, and 1857, Oslo. Recent performances include: 'Terminal Convention,' Cork city, with The Black Mariah, in Cork, Ireland and 'Amateur Night' at the Guesthouse,Cork. Furey co-founded the publication Karnival, and was its editor from 2005 – 2008. He studied briefly at The Cooper Union in New York and is currently completing studies at the Städelschule in Frankfurt.
Nick Mauss (b. 1980, Germany) lives and works in New York and Berlin. His work has been included in numerous group exhibitions including the Künstlerhaus Stuttgart, Kunstverein München, Kunsthalle Zürich, Galerie BaliceHertling, Paris, Galerie Daniel Buchholz, Cologne, and David Zwirner, Barbara Gladstone, Casey Kaplan Gallery, Greene Naftali, Andrea Rosen and MoMA PS1 in New York. Solo exhibitions of his work have taken place at 303 Gallery, New York, Hiromi Yoshii Gallery, Tokyo and Galerie Neu in Berlin. 'Disorder', a solo exhibition of his work, is currently on view at the FRAC Champagne-Ardennein, Reims.
Ken Okiishi (b. 1978, United States) lives and works in New York and Berlin. He has had solo exhibitions at MD 72, Berlin and Alex Zachary, New York, and has done solo performance work at Evas Arche und der Feminist, New York and the Schinkel Pavillon, Berlin. His work has been presented in group exhibitions at the ICA Philadelphia,the Camden Arts Centre, London, and Balice Hertling, Paris His collaborative work with Nick Mauss has been exhibited in group exhibitions at American Fine Arts, New York; Foksal Gallery Foundation, Warsaw; Artists Space, New York; Broadway 1602, New York; MD 72, Berlin; La Mama ETC, New York; Halle für Kunst, Lüneburg, Germany; Ludlow 38, New York, and in solo exhibitions at Gavin Brown`s Enterprise and the Künstlerhaus Stuttgart.
Josef Strau (b. 1957, Austria ) lives in New York. His writing and texts have appeared in various catalogues and magazines, such as May Revue, Texte zur Kunst and others. His work has been the focus of numerous solo exhibitions at international venues including Galerie Daniel Buchholz, Berlin, dépendance, Brussels, House of Gaga, Mexico, Konsthall Malmö, Docking Station at the Stedelijk Museum, Amsterdam and Greene Naftali Gallery, New York. In 1990 he founded the legendary exhibition space Friesenwall 120 together with Stephan Dillemuth in Cologne. Friesenwall 120 was operational until 1994, after which he independently organized Galerie Meerrettich in the Glasspavilion of the Volksbühne, Berlin from 2002 until 2006.
About the curator:
Esperanza Rosales (b. 1980, United States) is a writer from New York living in New York and Brussels. Since 2009, Rosales has been the Director of dépendance gallery in Brussels where she has organized exhibitions of new work by Josef Strau, Linder, Nicholas Byrne & Nora Schultz, as well as the group exhibition 'Novel.' Her writing has appeared in numerous publications including frieze, Hunter & Cook, and Mousse magazine, as well as 'Rotterdam Dialogues: The Critics, The Curators, The Artists,’ a publication by Witte de With, as well as F.R. David’s ‘With Love’ Issue (Amsterdam: De Appel: July 2010.)
About 1857:
1857 is an artist-run gallery occupying a former lumberyard in Grønland, downtown Oslo.
Established in 2010 by Steffen Håndlykken and Stian Eide Kluge, 1857 aims to establish connections between the Norwegian art scene and young artists abroad. It is a place to convene and converge, receive, answer and honour contemporary art in Oslo.
1857
Tøyenbekken 12
0188, Oslo
Norway
+47 22176050
electronicmail@1857.no
Hours:
Tuesday – Friday: 12 – 17
Saturday & Sunday 12 – 16
The exhibition is supported by Arts Council Norway
INSEL PARTY FRIDAY!
and a host of International DJ's
at INSEL
FRIDAY MAI 27
PARTY from 22
BBQ from 20uhr
3 euro Soli-Beitrag
Dar al-Kalima College: International Performance Workshop
International Performance Workshop
:participating artists
Julie Bacon, James Geurts, Sakiko Yamaoka, Martin Zet, Chumpon Apisuk, Chantawipa Noi Apisuk, Naneci Yurdagül
:and from Dar al-Kalima college
Nisreen Najjar, Johnny Andonia
On Friday 27/5/2011
from 9:00 – 17:00
At The Higher Education and Research Building – Mureir Mountain – Bethlehem.
www.daralkalima.edu.ps
MICHAEL SATTER VS. NONOT
MICHAEL SATTER VS. NONOT
OPENING MAI 27, 8PM
BAR BY DEO
WWW.DOELLER-SATTER.COM
WWW.NONOT.DE
V€RSUS IS AN EXHIBITION PROJECT DEDICATED TO POSTER PRODUCTION AND PRESENTATION. ALL POSTERS ARE WALLPAPERED AND AVAILABLE AT DEO RECORDS AND ONLINE.
ADDRESS:
V€RSUS C/O DEO
BETHMANNSTR. 15
FRANKFURT AM MAIN
GERMANY
OPENING HOURS:
MO.-FR. 13:00-20:00
SA 13:00-18:00
EMAIL:
VERSUS@DEORECORDS.COM
WWW.VSVSVS.COM
'Unpredictable Signs of Revolt' at lampione
´Lampione´
beto shwafaty's work at ´lampione´.
wednesday the 25th of may.
19.ooh, in front of elbestr. 20
//
'Unpredictable Signs of Revolt'
The work presented at Lampione (Elbestrasse #20) is inspired in a flag originated during a Brazilian revolt in 1817, known as the Pernanbucan Revolt: one of the first known organized attempts to create a (micro) state, to gain freedom from the former colonial oppressions. The symbols in the original flag represented, in metaphorical ways: the energy and strength of the region (the sun), the union of all local citizens (rainbow), as also the sense of belonging of the new free state when participating in what would be the (future) Brazilian federation (the star), and so on...
However, this new flag re-articulates some of the older elements in ways that 'dislocate an idea, a revolutionary imaginary and its symbols', asking what would be to introduce anew such aesthetic constructs in a different contemporary urban zone, one marked by so many contemporary social phenomena and movements. With this new image, the attempt is to think how the abstract and symbolic communication of a flag, and the reading of its basic elements, could be understood in such a new urban context. In this direction we can ask: which are the impacts of this image in urban, public and cognitive realms? Which connections we are able to establish, and how the collision between the ideas, texts and symbols in the flag manage to articulate an imagery related to the idea of revolt? These are some questions triggered by the dislocation and re-articulation of the flag elements, seen at same time as a public and ideological element of communication as also an identitarian element carrier of many histories and meanings.
//
Beto Shwafaty (1977. Sao Paulo / Brazil) is a visual artist based in São Paulo that actually resides in Frankfurt. He graduated from Nuova Accademia di Belle Art - Milano, with an M.A. degree in Visual Arts and Curatorial Studies (2010) and is now a guest student at Staedelschule. His interests lie in the socio-cultural issues within the sphere of contemporary culture, exploring artistic perspectives that stretches from art to other realms of society. In the last years he had undertaken collaboratively as solo experiences integrating art shows, cultural projects, publications and exhbitions.
www.shwafaty.org
However, this new flag re-articulates some of the older elements in ways that 'dislocate an idea, a revolutionary imaginary and its symbols', asking what would be to introduce anew such aesthetic constructs in a different contemporary urban zone, one marked by so many contemporary social phenomena and movements. With this new image, the attempt is to think how the abstract and symbolic communication of a flag, and the reading of its basic elements, could be understood in such a new urban context. In this direction we can ask: which are the impacts of this image in urban, public and cognitive realms? Which connections we are able to establish, and how the collision between the ideas, texts and symbols in the flag manage to articulate an imagery related to the idea of revolt? These are some questions triggered by the dislocation and re-articulation of the flag elements, seen at same time as a public and ideological element of communication as also an identitarian element carrier of many histories and meanings.
//
Beto Shwafaty (1977. Sao Paulo / Brazil) is a visual artist based in São Paulo that actually resides in Frankfurt. He graduated from Nuova Accademia di Belle Art - Milano, with an M.A. degree in Visual Arts and Curatorial Studies (2010) and is now a guest student at Staedelschule. His interests lie in the socio-cultural issues within the sphere of contemporary culture, exploring artistic perspectives that stretches from art to other realms of society. In the last years he had undertaken collaboratively as solo experiences integrating art shows, cultural projects, publications and exhbitions.
www.shwafaty.org
Ian Stephenson @ Economy (London), 28th May, 7-10pm
Ian Stephenson @ Economy
With a new text by George Porcari
Economy London's closing show
Saturday 28th May 2010, 7-10pm
Economy
Studio 10
10 Martello Street
London, E8 3PE
Viewing by appointment only.
Contact Dana - 0044 (0) 7855 165 120
or Shane - 00 49 (0) 1762 489 6179
economy-projects.com
Dealing with -- Some Books, Visuals, and Works related to American Fine Arts, Co.
mit Beiträgen von Art Club 2000, Patterson Beckwith, J. St. Bernard, Stephan Dillemuth, John Dogg, Loretta Fahrenholz, Karl Holmqvist, James Meyer, Jackie McAllister, Axel John Wieder, Phillip Zach
Filmvorführung John Waters “Pecker” & Loretta Fahrenholz “Haust”, Montag, 6. Juni, 19h, SCALA Programm-Kino Lüneburg --- Künstlergespräch Axel John Wieder & Stephan Dillemuth, Samstag, 18. Juni, 19h, KUL --- Vortrag Magnus Schäfer, “eine Bibliothek auspacken”, Donnerstag, 30. Juni, 19h, HfK
Halle für Kunst
28.5.-11.7.2011 Eröffnung: Freitag, 27. Mai 2011, 19-21h
Öffnungszeiten: Mi-So 14-18h
Reichenbachstrasse 2, 21335 Lüneburg
www.halle-fuer-kunst.de
Kunstraum der Leuphana Universität Lüneburg
28.5.-11.7.2011 Eröffnung: Freitag, 27. Mai 2011, 17-19h
Öffnungszeiten: Di-Do, Sa 14-18h
Halle 25, Campus, Scharnhorststr. 1, D-21335 Lüneburg
www.kunstraum.uni-lueneburg.de
Andreas Bülow Cosmus "MAGIC BOX"
Andreas Bülow Cosmus
"MAGIC BOX"
Opening: 26th May, 7pm-10pm
Dom/Römer U4/5 Station, NoMad
http://nomadwindow.blogspot.com/
KARL ORTON/ ROMANIA 27/05 those wild days were dogs
PELES EMPIRE / Cluj
THOSE WILD DAYS WERE DOGS
KARL ORTON
opening 27/05, 7-9pm
show open by appointment until 01/09
PELES EMPIRE
Fabrica de Pensule, etaj 1
59-61 Henri Barbusse Street
400616 Cluj-Napoca
ROMANIA
♦
PELES EMPIRE / London
THE PRIVATE LIFE OF PLANTS
JOSEPH LONG
DAVID NOONAN
KARL ORTON
MARCO PALMIERI
opening 02/06, 7-9pm
show open by appointment until 13/07
PELES EMPIRE
25F Belfast Road
London
N16 6UN
UNITED KINGDOM
www.pelesempire.com
Trans-Actions
> > see LINK with complete text < <
PLEASE SCROLL DOWN FOR ENGLISH VERSION
Trans-Actions
Phase 2 der dreiteiligen Ausstellung »Demanding Supplies – Nachfragende Angebote«
Dealing with— Some books, visuals, and works related to American Fine Arts, Co.
Art Club 2000, Patterson Beckwith, J. St. Bernard, John Dogg, Jackie McAllister, James Meyer in der Halle für Kunst sowie Stephan Dillemuth, Loretta Fahrenholz, Karl Holmqvist, Phillip Zach im Kunstraum der Leuphana Universität Lüneburg
Secrétaires
Carissa Rodriguez, Kunstraum der Leuphana Universität Lüneburg
Kuratiert von Julia Moritz in Kooperation mit dem Kunstraum der Leuphana Universität Lüneburg, Valérie Knoll und Hannes Loichinger, Halle für Kunst, Lüneburg, und Magnus Schäfer, Berlin
28.05. – 11.07.2011
Eröffnung: Freitag, 27.05.2011
17–19h Kunstraum der Leuphana Universität Lüneburg
19–21h Halle für Kunst
Kunstraum der Leuphana Universität Lüneburg, Campus Halle 25
Öffnungszeiten Di–Do, Sa 14–18h
Halle für Kunst, Reichenbachstr. 2, D–21335 Lüneburg
Öffnungszeiten: Mi–So 14–18h
Die Ausstellung »Demanding Supplies – Nachfragende Angebote« gliedert sich in drei aufeinander aufbauende Phasen. Sie zeigt verschiedene künstlerische Positionen zum Thema Kunst und Markt. In der zuvor von der Gruppe nOffice (Markus Miessen, Ralf Pflugfelder, Magnus Nilsson) realisierten Ausstellungsarchitektur »Enabling Space« entfalten sich in Phase 2 des Projekts – »Trans-Actions« – zwei räumlich und inhaltlich benachbarte Präsentationen: »Secrétaires« und »Dealing with— Einige Bücher, Bilder und Arbeiten zu American Fine Arts, Co.«.
Weitere Termine
Mo 06.06.11, 19h SCALA Programmkino, Apothekenstr. 17, 21335 Lüneburg, 04131.2243224
Filmvorführung John Waters' »Pecker« & Loretta Fahrenholz' »HAUST« mit einer Einführung von
Valérie Knoll
Sa 18.06.11, 19h Kunstraum der Leuphana Universität Lüneburg
Künstlergespräch Axel John Wieder & Stephan Dillemuth mit Hannes Loichinger & Julia Moritz
Do 30.06.11, 19h Halle für Kunst
Vortrag Magnus Schäfer: »Eine Bibliothek auspacken«
Do 07.07.11 Verleihung »Daniel Frese Preis für zeitgenössische Kunst«
November 2011 Eröffnung Phase 3 »Demanding Supplies – Nachfragende Angebote«
Trans-Actions
Phase 2 of the three-part exhibition »Demanding Supplies – Nachfragende Angebote«
Dealing with— Some books, visuals, and works related to American Fine Arts, Co.
Art Club 2000, Patterson Beckwith, J. St. Bernard, John Dogg, Jackie McAllister, James Meyer at Halle fuer Kunst Lueneburg and Stephan Dillemuth, Loretta Fahrenholz, Karl Holmqvist, Phillip Zach at Kunstraum of Leuphana University of Lueneburg
Secrétaires
Carissa Rodriguez, Kunstraum of Leuphana University of Lueneburg
Curated by Julia Moritz in cooperation with Kunstraum of Leuphana University of Lueneburg, Valérie Knoll and Hannes Loichinger, Halle fuer Kunst, Lueneburg, and Magnus Schaefer, Berlin
28 May – 11 July 2011, Opening: Friday 27 May 2011
5–7pm, Kunstraum of Leuphana University of Lueneburg
7–9pm, Halle fuer Kunst
Kunstraum of Leuphana University of Lueneburg, Campus Hall 25
Open: Tues–Thurs, Sat, 2pm–6pm
Halle fuer Kunst, Reichenbachstr. 2, D–21335 Lueneburg
Open: Wed–Sun, 2pm–6pm
The exhibition »Demanding Supplies – Nachfragende Angebote« is divided into three successive phases. It presents various artistic positions on the subject of art and the market. Within the exhibition architecture »Enabling Space«, previously realized by the group nOffice (Markus Miessen, Ralf Pflugfelder, Magnus Nilsson), Phase 2 of the project – »Trans-Actions« – unfolds as two presentations closely tied to one another, both in terms of space and content: »Secrétaires« and »Dealing with— Some books, visuals, and works related to American Fine Arts, Co.«
Upcoming Dates:
Mon 6 June 2011, 7pm SCALA Cinema, Apothekenstr. 17, D-21335 Lueneburg, +49 4131 2243224 Film screening of John Waters' »Pecker«. & Loretta Fahrenholz' »HAUST«,
introduction by Valérie Knoll
Sat 18 June 2011, 7pm, Kunstraum of Leuphana University of Lueneburg
Artist's talk Axel John Wieder & Stephan Dillemuth with Hannes Loichinger & Julia Moritz Thurs 30 June 2011, 7pm Halle fuer Kunst (in German)
Lecture by Magnus Schaefer: »Unpacking the library« (in German)
Thurs 7 July 2011 Awards ceremony for the »Daniel Frese Prize for Contemporary Art«
November 2011 Opening Phase 3 of »Demanding Supplies – Nachfragende Angebote«
The exhibition is based on a cooperation between Kunstraum of Leuphana University of Lueneburg and KIM, Innovation-Incubator at the Leuphana University of Lueneburg, funded by the EFRE program of the European Union, as well as the Halle fuer Kunst, Lueneburg (www.halle-fuer-kunst.de) for »Dealing with— «.
> > see LINK with complete text < <
opening today: GÜLSÜM GÜLER / MICHAEL PART / PRO CHOICE / 20.05. / 20:00
Gülsüm Güler / Michael Part
Photos
Opening Friday, 20.05.11, 20:00
21.05.11 - 26.06.11
Pro Choice
Zedlitzgasse 3
1010 Wien
Saturday 3-6 pm
and by appointment
Supported by
Photos
Opening Friday, 20.05.11, 20:00
21.05.11 - 26.06.11
Pro Choice
Zedlitzgasse 3
1010 Wien
Saturday 3-6 pm
and by appointment
Supported by
OPENING | TIM DAVIES | SATURDAY MAY 21 | 19:00 ONWARDS
| TIM DAVIES Is this seat taken? May 21 - July 2, 2011 Opening / Performance: Saturday May 21, 19:00 onwards NEUE ALTE BRÜCKE Hafenstrasse 23 60327 Frankfurt am Main Germany M. +49 <0>176 6422 6509 info@neuealtebruecke.com http://www.neuealtebruecke.com |
BEST OF BEST OF BEST OF #3
BEST OF BEST OF BEST OF #3
eine Video Gruppen Screening Performance kuratiert von Patrick Alt und Marco Schmitt.
Sat 21. May 2011 19:00 - 23:00
361° Associazione Culturale – Biblioteca Archivio Michele Marotta
Via Ofanto 33, 00198 Roma, Italy
mail: 361roma@gmail.com
Artists
Brad Alexander, Carrick Bell, Clara Brörmann, Mariechen Danz, Patrick Farzar, Rainer Ganahl, Sonja Gerdes, Aaron GM, Andrea Eva Györi, Daniel Herleth, Sören Hiob, Meiko Janke, Christian Jankowski, Byung Chul Kim, Florian Klette, Justyna Koeke, Susi Krepp, Björn Kühn, Young Lee, Pia Maria Martin, Vera Mayer, Carmen Omonte Miraval, Christin Niehoff, Patrick F. Panetta, Anahita Razmi, Moritz Reichartz, Fette Sans, Manuel Scheiwiller, Paul Sochacki, Jörg Söchting, Simon Speiser, Beatrice Steimer, Henning Strassburger, Kestutis Svirnelis, Ulrich Wulff, Tomoyuki Ueno, Scott Grow
friday 20th of may www.garage30.org at festival of Contemporary art Faenza
Friday 20 may 2011 h 16:00 - 18:00
MASSIMO MARCHETTI PRESENTS GIOVANNA SARTI AND THE Garage 30 WEBSITE CATALOGUE
Garage 30, is an exhibition space "for just one night", having been active for five years, from 2000 to 2005, in Frankfurt. Each exhibition can only be seen for the duration of the paint, and involves considerable amounts of energy in its creation and installation. The artists invited to exhibit their work contributed by exchanging one of their works for one already in the collection. The photographic material showing these events can be seen on the website catalogue www.garage30.org
Liceo Artistico ISA Ballardini, Viale Baccarini 17 Faenza
MASSIMO MARCHETTI PRESENTS GIOVANNA SARTI AND THE Garage 30 WEBSITE CATALOGUE
Garage 30, is an exhibition space "for just one night", having been active for five years, from 2000 to 2005, in Frankfurt. Each exhibition can only be seen for the duration of the paint, and involves considerable amounts of energy in its creation and installation. The artists invited to exhibit their work contributed by exchanging one of their works for one already in the collection. The photographic material showing these events can be seen on the website catalogue www.garage30.org
Liceo Artistico ISA Ballardini, Viale Baccarini 17 Faenza
ON-BLOCKS
ON-BLOCKS
Thursday 19th May 2011, 7pm
SANDY BROWN
Goebenstrasse 7
10783 Berlin
www.sandy-brown.com
mail@sandy-brown.com
Thursday 19th May 2011, 7pm
SANDY BROWN
Goebenstrasse 7
10783 Berlin
www.sandy-brown.com
mail@sandy-brown.com
ONLY UNTIL SATURDAY 21 MAY I MEGAN FRANCIS SULLIVAN I DIRTY MIRRORS I
exhibition extended until this Saturday 21 May: last days!!!
Megan Francis Sullivan
Dirty Mirrors 09 April - 21 May 2011
exhibition views
Megan Francis Sullivan I Dirty Mirrors I 2011 I Exhibition view
Underlying structures of visual representation form a central theme in the work of Sullivan especially in her recent focus on images of men. Doing so, the artist applies various medias and styles in the tension of formalism and desire. In the exhibition „Slow“ (2009) at Freymond-Guth, the artist presented a series of gouache paintings, based on Kylie Minogue‘s videoclip of the same name. In the video, men in swimsuits pose around the singer from an aerial view. Sullivan staged a photoshoot and made a series of paintings based on the images, arranged in formalistic manner inspired by color studies of Sophie Taueber-Arp and Ellsworth Kelly, anonymizing the objects of study.
In the exhibition „Dirty Mirrors,” the artist presents a series of works - paintings, transfer on canvas and sculptures - that continue to explore didactics of form and repetition, this time focusing on the German gay magazine „Boys, Kerle, Männer.” This magazine was first published in 1972, shortly after homosexuality in Germany became legalized following the reform of „Act 175.”
For the transfers for instance, Sullivan uses photocopied images from the magazines applied onto canvases with painted interventions. The images show naked men staged in masculine connoted poses and attributes: on horseback, with a football, in front of a library. But scenery and pose as well as the technical simplicity of these images reveal a moment of shy orientation, where a visual self-conception mirrors classical and historical prototypes that are imitated and reenacted.
Megan Francis Sullivan I Creation 2011 I Photocopy transfer and gouache on canvas I 70 x 50 cm
Sullivan adopts a supposed role of difference to approach codes and rhetorics of a specific subcultural environment of the early 1970s. But through the fact of this conceptual detour Sullivan establishes a relation of a subjective investigation of the base of artistic (re-) production and mimesis on one hand with the conditions of appropriations of cultural codes on the other. The publishing of „Boys, Kerle, Männer“ can be located in the transition point in a process of visuality, from repressed subculture to becoming an established cultural „norm“ associated with homoerotics as part of every day life.
In the process of incorporating these images into artwork, the motives are abstracted through accentuation of details, additional coloring or geometrical playfulness. Formal- abstract elements can be understood as an attitude between analysis and fascination. Much more it can also be read as a metaphor for processes of formalization of cultural conventions. Sullivan‘s method of displaying and quoting seems to reflect how socio-political categories- that are factually unstable because they are subject to historic transformations- are dependent on such acts of repetitions of cultural staging to be recognized as an imaginary ideal. Cultural discourses only become „materialized“ through constant mimesis and the mirroring of inscriptions.
Megan Francis Sullivan I Untitled (Study for Frames) I 2011 I Gouache on paper I Dimensions 35 x 28,5 cm
The sculptures that formally resemble frames can be thus understood to reflect an idea of formalization processes. The repetition, stacking and layering of plain, color and sculptural body not only show proximity to methods of concentration and visual juxtaposition but also irritation and obstruction of the view. But it is precisely in this skilled maneuver with the control of approaches; repetition, mirroring, blurring and dissolving of categories that reveal an oblique potentiality.
for further information and images please contact the gallery at +41 (0)44 240 0481 or office@freymondguth.com
Megan Francis Sullivan
Education: Jan van Eyck Academie Post-Graduate Research, Maastricht, NL, Staedelschule, Frankfurt a/ Main, DE(Class of Michael Krebber) and Cooper Union School of Art New York, USA (BFA) Exhibitions and Projects (selection) upcoming: Frieze Frame, London, UK (w. Freymond-Guth Fine Arts), Arcade Projects, London, UK (cur. by Alisa Margolies), UK, recent: Fax, Carpenter Exhibition Center, Harvard University, USA, Sunday, London, UK, Tanya Leighton, Berlin, DE, Alex Zachary, New York City, USA, Andreas Grimm, Munich, DE, Bel Etage, Berlin, DE, New York City, USA, Instituto Divorciados at Galerie Sandra Buergel, Berlin, DE, Prochoice, Vienna, AT, Künstlerhaus Stuttgart, DE, BROADWAY 1602, New York, USA, Anna Helwing Gallery, LA, After the Butcher Contemporary Art, Berlin, DE, Galerie Gisela Capitain, Cologne, DE, Galerie Meerrettich, Berlin, DE, Extracity, Antwerp, BE Artist Books and Publications (selection): The artist is co-editor of Mat Magazine & www.mat-magazine.de
Die Hunterklasse, co-edited with Susanne Kappmeier, published by the FN- Verlag of the German Riding Federation Warendorf and Jan van Eyck Academie, Maastricht, NL, Mat#4, Ice on This, Berlin and Seoul, S. Korea, Mat#3 Cat’s Eye Nebula, Berlin, Mat#2, Inside the Circle, Berlin, Matrose, Berlin 2HBL - Hedgebrook Lane, artist’s book, Revolver Verlag, Frankfurt
©2011 Freymond-Guth Fine Arts Ltd | Brauerstrasse 51 | 8004 Zürich | Switzerland
1,2piece fest this friday
there is the second "one two piece festival" this friday, 20th of may in darmstadt at oetingervilla
(kranichsteinerstr 81, bus "h" nach kesselhutweg)
it starts at 7 pm with the presentation of the magical
mechanical sequencer "emmanuel marius 5000" built by the genuis benni & hendrik.
http://www.youtube.com/watch?v=5pXdmF3Judw
after that anne hoffmann will perform with her "1st prize pony"
(in between have a pancake or one of khaleds cocktails)
A ND TH EN TH E BA ND S TA R T
LASER POODLE/ GELBART/ YES PINK PINK/ UNICORN HARD ON/ CPT.TRUNK / CONTAINER / KOLTER
elektronische krach und spass experimente mit rnb faktor und verrickt
more infos at http://onetwopiecefest.blogspot.com/
or http://www.facebook.com/event.php?eid=192691844104955
(kranichsteinerstr 81, bus "h" nach kesselhutweg)
it starts at 7 pm with the presentation of the magical
mechanical sequencer "emmanuel marius 5000" built by the genuis benni & hendrik.
http://www.youtube.com/watch?v=5pXdmF3Judw
after that anne hoffmann will perform with her "1st prize pony"
(in between have a pancake or one of khaleds cocktails)
A ND TH EN TH E BA ND S TA R T
LASER POODLE/ GELBART/ YES PINK PINK/ UNICORN HARD ON/ CPT.TRUNK / CONTAINER / KOLTER
elektronische krach und spass experimente mit rnb faktor und verrickt
more infos at http://onetwopiecefest.blogspot.com/
or http://www.facebook.com/event.php?eid=192691844104955
Hendrik Zimmer. abend-öffnung. do, 19. mai
Zur Abendöffnung der Ausstellung
HENDRIK ZIMMER – I TAKE THE GOOD ROAD. YOU FOLLOW ME
am Donnerstag, 19. Mai von 19 bis 21 Uhr laden wir Sie und Ihre Freunde recht herzlich ein.
Parallel eröffnet im Vorderhaus Bernhard Knaus die Ausstellung
FLO MAAK – LIVING IN THE LOBBY
HENDRIK ZIMMER
BADENDE, 2011
Kunststofffolie auf Aluminium
193 x 78 cm
________________________________________
KAI MIDDENDORFF GALERIE
Niddastraße 84
60329 Frankfurt am Main
T./F. + 49. (0) 69. 74 3090 35
M + 49. (0) 69. 170 31 32 191
galerie@kaimiddendorff.de
www.kaimiddendorff.de
Wed – Fri 1pm – 6pm, Sat 11am – 4pm
The gallery is located just 90 metres from the main Frankfurt train station. It is housed in an old factory dating back to 1898.
________________________________________
HENDRIK ZIMMER – I TAKE THE GOOD ROAD. YOU FOLLOW ME
am Donnerstag, 19. Mai von 19 bis 21 Uhr laden wir Sie und Ihre Freunde recht herzlich ein.
Parallel eröffnet im Vorderhaus Bernhard Knaus die Ausstellung
FLO MAAK – LIVING IN THE LOBBY
HENDRIK ZIMMER
BADENDE, 2011
Kunststofffolie auf Aluminium
193 x 78 cm
________________________________________
KAI MIDDENDORFF GALERIE
Niddastraße 84
60329 Frankfurt am Main
T./F. + 49. (0) 69. 74 3090 35
M + 49. (0) 69. 170 31 32 191
galerie@kaimiddendorff.de
www.kaimiddendorff.de
Wed – Fri 1pm – 6pm, Sat 11am – 4pm
The gallery is located just 90 metres from the main Frankfurt train station. It is housed in an old factory dating back to 1898.
________________________________________
Daimler Mensa Menu 17 - 19 Mai
17. Tuesday (holiday replacement cook Ani) :
Bhindi Sabji (Ladys fingers with cocos)
Murg Badam Pasand (chicken in almondsauce)
served with rice and mintsauce
18. Wednesday (holiday replacement cook Christin):
Zwiebcookies with avocadocream
19. thursday (cook Filippa):
SUPRISE
Walking Resident 29: STEFAN THATER
Resident 29: STEFAN THATER
Szczecin to Altwarp
18 - 19 May 2011
Starting point: Stettin central station, 18 May at 10am
or call +49 (0)173 7116 728 to join the troupe
www.caribicresidency.com
Tuesday May 17th 9pm: Finissage BC "For a Few Dollars of Celestial Empire"
For all who have gone to Paris and all the other ones that couldnt make it, not at least for the own pleasure: "For a Few Dollars of Celestial Empire" will end on Tuesday May 17th at 9pm with a breathtaking finnisage!
Oona-Léa von Maydell (*1985, seit 2010 Masterstudiengang Curatorial Studies an der Goethe-Universität Frankfurt am Main und Städelschule) zeigt den Film "For a Few Dollars of Celestial Empire" (2010/2011).
Dies ist die letzte von Phillip Zach kuratierte Ausstellung in dem seit 2005 unter wechslendem Namen von Städelstudenten kuratierten Raum in der Oppenheimer Strasse 34a.
Mit freundlicher Unterstützung des Vereins Städelschule Portikus e.V. sowie der Stadt Frankfurt am Main - Dezernat für Kultur und Wissenschaft
english version:
May 10th 2011, 9pm : Premiere of "For a Few Dollars of Celestial Empire" by Oona-Léa von Maydell at Beige Cube, Oppenheimer Str. 34a, Frankfurt am Main
Oona-Léa von Maydell (*1985, graduated from Krebber class, Staedelschool, in 2010, studies since 2011 at Critical and Curatorial Program of Goethe-University and Staedelschool) screens her film "For a Few Dollars of Celestial Empire"(2010/2011).
This will be the last exhibition curated by Phillip Zach in that space, which is organised under changing name by students of Staedelschool since 2005.
With friendly support by Verein Städelschule Portikus e.V. and also by the City of Frankfurt am Main - Dezernat für Kultur und Wissenschaft.
i'd shit in the devil's face
Phillip Zach and Zoe Barcza present...
I'D SHIT IN THE DEVIL'S FACE
Over 200 THRILL-DRENCHED minutes of THROBBING INSANITY, that will SHOCK and TRAUMATIZE YOU!
Featuring a band of wayward CREEPS, including
Jeri Cain Rossi, Todd Phillips, Tommy Turner, Lydia Lunch, Peggy Ahwesh, Sonic Youth, Beth B, Tessa Hughes Freeland, Holly Adams, Liquid Sky, Joe Coleman, Richard Kern, Nick Zedd, John Waters, Raymond Pettibone, Kembra Pfahler, Jörg Buttgereit, Chris Kraus, Dave Markey, Harmony Korine, Jean Genet, David Wojnarowicz, Mike Kuchar, Seth Price
BE PREPARED to have your SOUL MICROWAVED ... ON HIGH !!!
H00dumentary - Ilja Karilampi // Form to Attribute - Ruta Butkute, Opening Sat 14th May, 15.30, CBK Zuidoost, Bijlmer, Amsterdam
BijlmAIR: Ilja Karilampi & Ruta Butkute
Opening 14 mei, 15.30
Te zien t/m 11 juni
H00dumentary - Ilja Karilampi
Ilja Karilampi (1983, Zweden)
is multimediakunstenaar.
In zijn werk komen verschillende lagen van verhalen samen, die vaak refereren aan beelden uit de media en hedendaagse populaire cultuur. Karilampi maakte ‘H00dumentary’. In deze film slaat hij een brug tussen twee betonnen voorsteden: Studiegången in Göteborg (waar hij opgroeide) en de Amsterdamse Bijlmer. Hij struikelt over synchroniteiten, bezoekt verborgen structuren en komt vast te zitten in de altijd aanwezige tussenruimtes van tha hood. Deze video is een ode aan ‘roots’.
15.5 – 11.6.2011
BijlmAIR is the Artist-in-Residence Programme of Centrum Beeldende Kunst Zuidoost (CBK Zuidoost – center of visual arts), Stedelijk Museum Bureau Amsterdam (SMBA) and Stichting FLAT (FLAT foundation).
CBK Zuidoost, Anton de Komplein 120, BIJLMER, 1102 DR Amsterdam
t. 020 25 25 401 f. 020 25 25 409
www.cbkzuidoost.nl
www.smba.nl
Opening 14 mei, 15.30
Te zien t/m 11 juni
H00dumentary - Ilja Karilampi
Ilja Karilampi (1983, Zweden)
is multimediakunstenaar.
In zijn werk komen verschillende lagen van verhalen samen, die vaak refereren aan beelden uit de media en hedendaagse populaire cultuur. Karilampi maakte ‘H00dumentary’. In deze film slaat hij een brug tussen twee betonnen voorsteden: Studiegången in Göteborg (waar hij opgroeide) en de Amsterdamse Bijlmer. Hij struikelt over synchroniteiten, bezoekt verborgen structuren en komt vast te zitten in de altijd aanwezige tussenruimtes van tha hood. Deze video is een ode aan ‘roots’.
15.5 – 11.6.2011
BijlmAIR is the Artist-in-Residence Programme of Centrum Beeldende Kunst Zuidoost (CBK Zuidoost – center of visual arts), Stedelijk Museum Bureau Amsterdam (SMBA) and Stichting FLAT (FLAT foundation).
CBK Zuidoost, Anton de Komplein 120, BIJLMER, 1102 DR Amsterdam
t. 020 25 25 401 f. 020 25 25 409
www.cbkzuidoost.nl
www.smba.nl
Eröffnung: Monika Romstein - Disparition, Mittwoch 18. Mai 19.00 Uhr
Monika Romstein
Disparition
Eröffnung: Mittwoch, den 18. Mai 2011, 19.00 Uhr
Zur Ausstellung erscheint ein Katalog
Saarländisches Künstlerhaus
Saarbrücken e.V.
Karlstraße 1
D - 66111 SAARBRÜCKEN
Tel. +49 (0)681 / 37 24 85
Fax +49 (0)681 / 39 73 28
info@kuenstlerhaus-saar.de
www.kuenstlerhaus-saar.de
We are nowhere and its now
We are nowhere and its now
Mary Conlon's part 1 of a two part review of We are nowhere and it's now for the Paper visual art journal
http://papervisualart.com/?page_id=60
Mary Conlon's part 1 of a two part review of We are nowhere and it's now for the Paper visual art journal
http://papervisualart.com/?page_id=60
invitation exibition 14 mei 2011 16.00 uur CBK Zuidoost
Geachte geïnteresseerde,
In de bijlage treft u onze laatste brochure met daarin opgenomen alle activiteiten in en rondom Centrum Beeldende Kunst Zuidoost voor de komende maanden.
Tevens treft u daarin een uitnodiging voor de opening van het project De Rituelenkar van Nynke Deinema en Caroline de Roy en de presentatie van werk van Ilja Karilampi en Ruta Butkute in het kader van BijlmAIR, op zaterdag 14 mei a.s. om 16.00 uur bij het Centrum Beeldende Kunst Zuidoost.
Wij hopen van harte u te mogen verwelkomen op die dag.
Met vriendelijke groeten,
Team CBKZuidoost
CBK Zuidoost | de kortste weg naar kunst | Anton de Komplein 120 | 1102 DR Amsterdam Zuidoost | t. 020-25 25 401 | www.cbkzuidoost.nl
Caroline Krause - Neonschein / Künstlergespräch: Samstag, 14. Mai 2011, 17 Uhr
Caroline Krause
Neonschein
Künstlergespräch: Samstag, 14. Mai 2011, 17 Uhr
Dauer der Ausstellung: 26. März - 14. Mai 2011
Öffnungszeiten: Mi 16-19, Sa 14-17 Uhr u. n. V.
NEUER KUNSTVEREIN GIESSEN e.V.
Ecke Licher Str./Nahrungsberg
Tel.: 0641-2509444
WWW.KUNSTVEREIN-GIESSEN.DE
Eröffnung / Schacht / Christiane Fochtmann / Kan ma kan
Kan ma kan
Christiane Fochtmann
Eröffnung 11. Mai 2011, 19-21 Uhr
SCHACHT
Elbestr. 41
3. OG
Frankfurt/M
T: 0170/4921515
René Schohe Trajektorie at NoMad
Opening:
Thursday May 12th 2011, 7pm.
U-Bahnstation Dom/Römer (U4/U5)
Exhibition period:
May 12th 2011 - May 22th 2011
Daimler Mensa Menu 10 - 12 Mai
Mensa Daimlerstrasse
10 Mai Tuesday
Salad Nicoise
11 Mai Wednesday
Asparagus with ham and potatos
12 Mai Thursday
Guest in the Kitchen ( Christin )
Maincourse:
SALAT FRIEDRICH II & PREUßENKLOPSE
Desert:
BERLINER LUFT
See you in Daimler
Vytas and Aki
11.5.-15.5., Edition Medienturm. Videos at VIENNAFAIR 2011
Edition Medienturm
at VIENNAFAIR 2011
Präsentation Presentation: 11.05-15.05.2011
VIENNAFAIR 2011, Messeplatz 1, 1021 Wien Vienna
Öffnungszeiten Opening hours: Do12.5., 11-19h, Fr 13.5., 11-21h, Sa 14.5., 11-19h, So 15.5., 11-18h Thu 12.5., 11 a.m.-7p.m., Fri 13.5., 11 a.m.-9 p.m., Sat 14.5., 11 a.m.-7 p.m., Sun 15.5., 11 a.m.-6 p.m.
Dank an Thanks to: Kultur Service Gesellschaft Steiermark
www.medienturm.at
at VIENNAFAIR 2011
Präsentation Presentation: 11.05-15.05.2011
VIENNAFAIR 2011, Messeplatz 1, 1021 Wien Vienna
Öffnungszeiten Opening hours: Do12.5., 11-19h, Fr 13.5., 11-21h, Sa 14.5., 11-19h, So 15.5., 11-18h Thu 12.5., 11 a.m.-7p.m., Fri 13.5., 11 a.m.-9 p.m., Sat 14.5., 11 a.m.-7 p.m., Sun 15.5., 11 a.m.-6 p.m.
Dank an Thanks to: Kultur Service Gesellschaft Steiermark
Rosa Barba/Jan St. Werner, Karř Goldt/Rashim, Tomas Eller, Tina Frank/Florian Hecker, Andrés Ramírez Gaviria, G.R.A.M./remi, Markus Huemer, Zuzanna Janin, Ilja Karilampi, Dariusz Kowalski/Stefan Németh, Annja Krautgasser/Martin Siewert, Jan Robert Leegte, Lia/@c, Christopher Musgrave/Xopher Davidson, David Muth, N.I.C.J.O.B., Karina Nimmerfall, Dietmar Offenhuber/tamtam, faffenbichler.Schreiber/Bernhard Lang, remi, Hans Scheirl, Susanne Schuda, Klaus Schuster, Axel Stockburger, Gerold Tagwerker/Siegrun Appelt/Martin Brandlmayr, Marius Watz
--
In der „Edition Medienturm“ werden jährlich einige Videos als limitierte Künstlergaben aufgelegt, bislang sind 26 Arbeiten entstanden. Die Edition Medienturm ist als nachhaltige Vermittlungsschiene für aktuelle Videokunst hin zu (potentiell neuen) interessierten Öffentlichkeiten gedacht. Gezeigt werden experimentelle Künstler/innen-Videos, die u.a. das dynamische wie vielfältige Verhältnis von Bild und Ton im Bereich der zeitgenössischen Medien/Kunst verhandeln.
Die Arbeit „Dj Säkerhetskontroll" von Ila Karilampi wird in einer installativen Variante auf der ViennaFair gezeigt. Zu sehen ist ein Portrait einer globalen Klubkultur, die sich anhand der Figur DJ Säkerhetskontroll (DJ Sicherheitskontrolle) erschließt. Ausgehend von einer gescheiterten Performance folgen wir ihm auf einen Trip und erleben den Verlust seines Laptops in Amsterdam, veränderte Copyright-Warnungen, die „bevel-and-embossed“ Entwicklungs-geschichte von Lagerhallen-Parties und gehackte, mit einem Schwedischen Soundtrack unterlegte Musikvideo-Clips. Das sporadische und plötzliche Auftreten des DJs wie seine mysteriöse Identität scheint einen möglichen Erfolg durch Abwesenheit oder Geheimhaltung zu betonen. Ein verborgener unterirdischer Durchgang wäre eine Antwort auf die Event-Gesellschaft. Oder wäre es deren finale Konsequenz?
www.medienturm.at
From Germany with love
Saturday, May 14 · 6:00pm - 8:00pm
Location
VOUS ETES ICI
Lijnbaansgracht 314, 1017 WZ
Amsterdam, Netherlands
VOUS ETES ICI
Lijnbaansgracht 314, 1017 WZ
Amsterdam, Netherlands
"From Germany with Love" is a group exhibition of 6 artists (Sabrina Haunsperger, Christoph Junk, Christian F.Kintz, Nils Knott, Juergen Krause & V.Ragunath) and curated by Britta Schroeder & Adrian Koerfer.
Subscribe to:
Posts (Atom)