Bernhard Schreiner
Old News, New Debts
Kunsthalle Lingen
1 Dec 2012 – 3 Feb 2013
Eröffnung Freitag, 30. November, 19 Uhr
Opening Friday, 30 November, 7 pm
BLACKED OUT
Blacked out.
Sebastian Stöhrer
Markus Friedrich Staab
Vernissage 29.11.2012 ab 19:00 Uhr
Westsektor
Brückenstraße 54
60594 Frankfurt
Joe Bradley, Dan Colen, Juergen Krause, Adam McEwen, Seth Price, Michael Riedel
Joe Bradley, Dan Colen, Juergen Krause, Adam McEwen, Seth Price, Michael Riedel
Dezember 15, 2012 - February 9, 2013
Opening reception: Friday, Dez 14th, from 6 to 9pm
Bischoff Projects
Hanauer Landstrasse 20 - 22
D-60314 Frankfurt am Main
For all other information please contact the gallery
Mon, Dec. 3rd, 7pm; Book launch, performance + last day of "The Gap" at Phil.-Theol. Hochschule Sankt Georgen
Monday Dec. 3rd, 7pm:
book launch "The Gap" publication,
contributions by Franziska Dübgen, Jeanette Ehrmann, Anna Goetz, Agatha Wara, Andrea Büttner
Franziska Düngen and Jeanette Ehrmann will perform their text contribution
last day of the exhibition "The Gap",
artists: Elif Erkan, Lena Henke, Flo Maak, Anna Möller, George Rippon, Rebecca Ann Tess, Christoph Westermeier, Colin Whitaker, Amy Zingfogl
curated by Phillip Zach
Philosophisch-Theologische Hochschule Sankt Georgen | Offenbacher Landstr. 224 | 60599 Frankfurt
Veit Laurent Kurz "Wald und Wiesen"- Series #1
"Wald und Wiesen"- Series #1
Opening: Friday, November 30th, 6pm
JOHAN BERGGREN GALLERY
Ehrensvärdsgatan 8
SE-21213 Malmö
Miami, Dec. 3rd, Opening "Shell-Reflexive" at Bas-Fisher-Invitational and Weird Miami bus tour
Absolute Vitality Inc. (Keller/Kosmas), Simon Denny, Yngve Holen, Ilja Karilampi, Nedberg & Kantun, Katja Novitskova, Halvor Rønning, Timur Si-Qin, Spring Break, Anne de Vries, Phillip Zach
Dec. 4, 2012 - Jan. 15, 2013
Opening reception: Tue. Dec. 4, 6-9pm
Art Basel VIP tour: Fri. Dec. 7, 9-12pm
Open hours during Miami Art Week: Wed. - Sun. 12 - 6pm
Weird Miami bus tour: Sat. Dec. 8, times to be announced.
The Bas Fisher Invitational (BFI) has moved to the Downtown ArtHouse, a new space in Downtown Miami, and is pleased to announce the opening of new Weird Miami programming with the exhibition Shell-Reflexive and a bus tour led by art space Spring Break.
Inspired by Miami's relationship to Art Basel Miami Beach, the yearly art event that transforms the city into an international arena of art and commerce, Shell-Reflexive operates on a principle of self-reflexivity seeking to inhabit the mechanisms that convert meaning into monetary value in the cycle of art.
Phase One:
Art's meaning – in all of its forms and discords – is the categorical phenomenon that continues to set the art object apart from the mere object. Against an information-driven, production-ready global landscape, we begin to see that the contemporary art object has developed a special mechanism to support and distribute meaning: an invisible shell. Institutional and monetary agreements, critical discourses and narratives, and social relationships manifest the shell of meaning that slowly and caringly brings the work of art into visibility.
Inspired by the objects that usually lie just outside the exhibition space – museum merchandise – the artists in Shell-Reflexive will reflect on the nature of these objects as material carriers of meaning, and present their own versions and mutations of "art merchandise." Visitors will encounter something that skirts the line between exhibition and store, where art "works" have been replaced by "merchandise," which can be purchased for non-art prices.
Inspired by the objects that usually lie just outside the exhibition space – museum merchandise – the artists in Shell-Reflexive will reflect on the nature of these objects as material carriers of meaning, and present their own versions and mutations of "art merchandise." Visitors will encounter something that skirts the line between exhibition and store, where art "works" have been replaced by "merchandise," which can be purchased for non-art prices.
Phase Two:
Shell-Reflexive can be understood as a mechanism that evaluates the current status of art in relation to its shell. By turning the exhibition inwards – dissolving the order of visibility that says artwork first, mediation second – Shell-Reflexive seeks to inhabit art's shell as a site of value-creation. The economy created by the merchandise sold will be collectively invested in the stock market by the artists and curator, which, depending on the success of the investment, could serve to finance a future exhibition. A gesture meant to highlight that art is never innocent, especially today, when meaning is a hybrid shell that hovers outside of art itself.
With an architectural contribution by Norwegian artists Audar Kantun and Joar Nedberg. Shell-Reflexive's visual identity is defined by Bjørnar Pedersen and Viveka Forsman in collaboration with the curator. Special thanks to T293 and Kraupa-Tuskany for their support of this project.
--
Expanding upon Shell-Reflexive, the art space Spring Break will host a Weird Miami bus tour on Dec. 8, taking participants to undisclosed destinations throughout the city of Miami. The locations will situate Shell-Reflexive against its local context, revealing a city that is beyond the scope of Art Basel Miami Beach.
--
Shell-Reflexive is curated by Agatha Wara, a south Florida native, who in 2008 co-initiated the BFI's Weird Miami project. After completing her studies at the Center for Curatorial Studies, Bard College, Wara relocated to Norway to work on the triennial Bergen Assembly, where she is presently a research and curatorial associate.
All new BFI programming is part of Weird Miami. Through exhibition, events, and bus tours, Weird Miami offers publics a behind-the-scenes look at the city of Miami and its artistic and cultural offerings. BFI invites artists to create bus tours that reflect on one's relationship with the city, exploring South Florida as a site for cultural and artistic production. Upcoming exhibitions and Weird Miami bus tours in 2013 will be presented by Tyson Reeder, and Ana Mendez.
Weird Miami programming is funded through the John S. and James L. Knight Foundation's Knight Arts Challenge, which aims to bring Miami together through the arts.
December 2012 Filed under exhibition, 2012
http://www.basfisherinvitational.com/
"Pour ce laine” 30/11.2012, 19 Uhr bis 4/12/2012, Seilerstr. 36, Frankfurt am Main
"Pour ce laine"
Henrik Olai Kaarstein, Colin Whitaker & Phillip Zach
Opening: 30.11.2012 / 7 pm - open end
Duration: 1.12.2012 - 4.12.2012
Opening hours: 7-10 pm and on appointment (0176-47589463)
info@leonhardikulturprojekte.org
http://www.leonhardikulturprojekte.org/index.php?id=824
https://www.facebook.com/events/445024332223838/
Adress: Seilerstr. 36, 60313 Frankfurt am Main, Pavillon
And whoever observes the work upon […] their best […] purcellans, will find their beauty is all of this kind (that is) without order. (1690:58)
Though it is not quite a softcore pornographic film, this sex drama never quite manages to tell a story.
"Porcelain" - "Purring Porcelaine"
I watch him from down the hallway; he is talking to his best friend, probably gossiping about the latest fashion trends. His light brown hair (that is actually really silky and soft, when it doesn't have a ton of product in it) is perfectly coiffed. Porcelaine dogs. Gold tiles. Yellow seems smooth, red is sticky, violet is taking away your buzz. Before he feeds Puppy Porcelaine, he should wash his hands. Not after. With a shaky hand he approaches the nose.
The glossy surface makes him wish his c**k were more like canned liver. Luckily his a*****e is already (…). A Porcelaine's tongue is as splendid as moonlight on water. Like it has been soaking in sweet Tea since FOREVER. Sticky&juicy, sweet & joyful. He has on a purple silk-something shirt, that clings in all the right places. Out on the field, he is an energetic, tireless and passionate hunter but at home he is docile and friendly. He is independent and brave, hunting in packs and used to working with minimal directions from his owners.
He has a keen sense of smell and a musical voice. He has no known serious health problems and can live for about 12 to 13 years. And his voice is light and airy, and yeah, it's kinda girly (but that what makes him unique) but it can be masculine too; when he sings, he has this air of confidence about him; it's almost as if he gets transported to another place when he's singing. He's strong and independent, knows exactly what he wants.
If you want to learn to love like a real boy loves you should definitely say good evening to Puppy Porcelaine ("Guten Abend, Hunde Jugend Porzellan"). Swoon Puppy Porcelaine with your best jokes (Puppy Porcelaine loves to laugh as much as He likes to force reflective surfaces up his Cave of Eden (all roads lead to (…)).
He kinda reminds me of a porcelain doll; his skin is a beautiful shade of pale (that he covers with make-up that he doesn't need) and is baby soft from his vigorous nightly moisturizing routine. He is obviously trying his best. (But as we are learning everyday "our best" is simply not "good enough"). Don't beat Puppy Porcelaine, join puppy Porcelaine. He should at least learn how to dress well. And he should try better than his best. Three spinster witches did not succeed and their (now) voluptuous asses are breaking the backs of the nation's horses.
He must have felt me staring, because he turns his head in my direction and lifts the sunglasses off his nose and arches a perfectly manicured eyebrow in my direction. I come up behind him and wrap my arms around his waist and press a kiss to his cheek. I whisper in his ear, "The hairs on your neck in lost embrace? I love the tiny veins on your back They remind me of the way That porcelain cracks." Kissing another breed is so liberating you just want to stay in the Moment of Spit. For a dog like Puppy Porcelaine every day is like Spitfull Sunday. On Sundays He eats roast.
Kindly supported by the supervisory school authority and the Culture Board of Frankfurt am Main
Adress: Seilerstr. 36, 60313 Frankfurt am Main, Pavillon
And whoever observes the work upon […] their best […] purcellans, will find their beauty is all of this kind (that is) without order. (1690:58)
Though it is not quite a softcore pornographic film, this sex drama never quite manages to tell a story.
"Porcelain" - "Purring Porcelaine"
I watch him from down the hallway; he is talking to his best friend, probably gossiping about the latest fashion trends. His light brown hair (that is actually really silky and soft, when it doesn't have a ton of product in it) is perfectly coiffed. Porcelaine dogs. Gold tiles. Yellow seems smooth, red is sticky, violet is taking away your buzz. Before he feeds Puppy Porcelaine, he should wash his hands. Not after. With a shaky hand he approaches the nose.
The glossy surface makes him wish his c**k were more like canned liver. Luckily his a*****e is already (…). A Porcelaine's tongue is as splendid as moonlight on water. Like it has been soaking in sweet Tea since FOREVER. Sticky&juicy, sweet & joyful. He has on a purple silk-something shirt, that clings in all the right places. Out on the field, he is an energetic, tireless and passionate hunter but at home he is docile and friendly. He is independent and brave, hunting in packs and used to working with minimal directions from his owners.
He has a keen sense of smell and a musical voice. He has no known serious health problems and can live for about 12 to 13 years. And his voice is light and airy, and yeah, it's kinda girly (but that what makes him unique) but it can be masculine too; when he sings, he has this air of confidence about him; it's almost as if he gets transported to another place when he's singing. He's strong and independent, knows exactly what he wants.
If you want to learn to love like a real boy loves you should definitely say good evening to Puppy Porcelaine ("Guten Abend, Hunde Jugend Porzellan"). Swoon Puppy Porcelaine with your best jokes (Puppy Porcelaine loves to laugh as much as He likes to force reflective surfaces up his Cave of Eden (all roads lead to (…)).
He kinda reminds me of a porcelain doll; his skin is a beautiful shade of pale (that he covers with make-up that he doesn't need) and is baby soft from his vigorous nightly moisturizing routine. He is obviously trying his best. (But as we are learning everyday "our best" is simply not "good enough"). Don't beat Puppy Porcelaine, join puppy Porcelaine. He should at least learn how to dress well. And he should try better than his best. Three spinster witches did not succeed and their (now) voluptuous asses are breaking the backs of the nation's horses.
He must have felt me staring, because he turns his head in my direction and lifts the sunglasses off his nose and arches a perfectly manicured eyebrow in my direction. I come up behind him and wrap my arms around his waist and press a kiss to his cheek. I whisper in his ear, "The hairs on your neck in lost embrace? I love the tiny veins on your back They remind me of the way That porcelain cracks." Kissing another breed is so liberating you just want to stay in the Moment of Spit. For a dog like Puppy Porcelaine every day is like Spitfull Sunday. On Sundays He eats roast.
Kindly supported by the supervisory school authority and the Culture Board of Frankfurt am Main
Parisa Kind at NADA Miami Beach, Dec. 6-9, 2012
NADA MIAMI BEACH
December 6-9, 2012
December 6-9, 2012
LUCAS AJEMIAN
ISABELLE FEIN
MARTIN NEUMAIER
JONAS WEICHSEL
ISABELLE FEIN
MARTIN NEUMAIER
JONAS WEICHSEL
Booth 203 / Napoleon Room
NADA MIAMI BEACH
at the Deauville Beach Resort
Collins Ave & 67th Street
33141 Miami, FL
images:
Richard JacksonBIG FAT PIG
2010
Neon, metal
Ed. 1/3 + 2 AP
42 x 108 x 12 cm / 16.5 x 42.5 x 4.75 inches
Jonas Weichsel
„Garage Painting I & II"
2012
Diptyche, Oil and acrylic on canvas
70 x 39 cm / 27.6 x 15.35 inches (left)
70 x 40 cm / 27.6 x 15.75 inches (right)
Martin Neumaier
„Untitled"
2012
Collage
18 x 12.5 cm / 7.09 x 4.92 inches (unframed)
35.5 x 27 cm / 13.98 x 10.63 inches (framed)
Galerie Parisa Kind
Offenbacher Landstrasse 11-13
Frankfurt 60599
Germany
Yuki Kishino and Alexey Vanushkin: A Museum
A Museum
an exhibition proposal by Yuki Kishino and Alexey Vanushkin
23 - 25.11.2012 - open from 6 till 9 pm
opening on 23.11.2012 from 6 pm
at HfG-Projektraum im Hauptbahnhof
Bismarckstraße 146 D-63065 Offenbach am Main
* * *
'so, what do you think of the show?'
'oh yes, it's very nice, but i haven't got the chance to see it properly, to many people tonight.'
'yeah, i think i have to come back here again to see them properly.'
'you know they sort of, always exist only for an opening and then, kind of no one goes to see it again.'
'i'll get another glass,. do you want one?'
'...sorry, i got to say hi to someone over there...'
'hallo! wie gehts? have you seen the show?'
'no, i just got here. i need a drink first. is it for free?'
'no no.'
'There's this very nice pizza place not far from here and we...'
I found myself at the exhibition opening...
Ani Schulze - "Share a dare, darling"
Solalanotte is very pleased to invite you to a new opening in the Oppenheimerstr. 34a in Frankfurt am Main.
Ani Schulze - "Share a dare, darling"
The show opens on the 23rd of November at 19h. Be there or nowhere.
><
www.solalanotte.org
Opening hours:Wed - Thur - Sun: 16.00 - 18.00
www.solalanotte.org
Opening hours:Wed - Thur - Sun: 16.00 - 18.00
And by appointment. Come to visit us!
PATRICK ALT "T. T. T. - TITEL. TRESEN. TEMPERAMENTE."
DIESEN FREITAG 23.11.2012
AB 21.00
AB 21.00
PATRICK ALT
"T. T. T. - TITEL. TRESEN. TEMPERAMENTE."
IM CUSSLER
KOTTBUSSER DAMM 9
KOTTBUSSER DAMM 9
JOHN SKOOG ‘SENT PÅ JORDEN AND FÖRÅR’
JOHN SKOOG ‘SENT PÅ JORDEN AND FÖRÅR’
22 NOV 12-2 FEB 13
Pilar Corrias
54 Eastcastle Street
London W1W 8EF
Tel: +44 (0) 20 7323 7000
Fax: +44 (0) 20 7323 6400
www.pilarcorrias.com
Opening Hours
Monday – Friday 10am – 6pm
Saturday 11am – 6pm
or by appointment
Michael Riedel
Michael Riedel
"Inaugural speech as the new director of the Frankfurter Kunstverein and the Kuenstlerhaus Wien" together with Matthias Ulrich (Schirn Kunsthalle, Frankfurt am Main)
Thursday, November 22, 2012, 2 pm
Kuenstlerhaus Wien, Vienna, Austria
Michael Riedel will give a public lecture on his work:
Wednesday, November 21, 2012, 6 pm
Akademie der bildenden Kuenste, Vienna, Austria
Website: http://www.akbild.ac.at/
HAPPINESS REVISITED Filippa Petterson & Benedikte Bjerre
HAPPINESS REVISITED
Filippa Petterson & Benedikte Bjerre
11.11.2012 - 18.11.2012
A collaborative installation with Filippa Pettersson & Benedikte Bjerre on explorative learning and vital materialities.
Breakfast opening sunday the 11th of november from 10.30 - ending with an evening walk sunday the 18th of november 2012 at 17.30.
Opening hours: 11-17 daily during week 46 and by appointment (0176-47589463), info@leonhardikulturprojekte.org
Adresse: Seilerstr. 36, 60313 Frankfurt am Main, Pavillon der ehem. Friedrich-Stoltze-Schule
Thomas Bayrle, Juergen Krause, Michael Riedel, Jens Risch
Thomas Bayrle, Juergen Krause, Michael Riedel, Jens Risch
Bischoff Projects (Booth #308) is pleased to announce its participation in NADA Miami Beach 2012, where works by gallery artists Thomas Bayrle, Juergen Krause, Michael Riedel, Jens Risch will be on view.
NADA Miami Beach 2012
The Deauville Beach Resort
6701 Collins Ave
Miami Beach, FL 33141
Open to the public
Thursday, Dec 6; 2pm–8pm
Friday, Dec 7; 11am–8pm
Saturday, Dec 8; 11am–8pm
Sunday, Dec 9; 11am–5pm
For all other information please contact the gallery
HENNING BOHL | PRO CHOICE | 17.11. | 22:00
HENNING BOHL
NAMENLOSES GRAUEN / NAMELESS HORROR
SATURDAY, 17.11.12, 22:00
Pro Choice has moved to Helenengasse Ecke Praterstern
(Blue Banana / Benu / L'Ocean Licker)
Pro Choice
Prater Hauptallee 2a
A-1020 Wien
Supported by
Famillientreffen und Offenes Atelier
Ausstellung: „Familientreffen":
Von West nach Ost
Organisiert von Corinna Mayer
Öffnungszeiten:
Samstag, 24. November 2012, 14:00 bis 20:00 Uhr
Sonntag, 25. November 12:00 bis 18:00 Uhr
Di & Do 16:00 - 19:00 Uhr/ Mi 16:00 - 20:00 Uhr (und nach Vereinbarung)
Öffnungszeiten im Januar 2013 ausschließlich nach Vereinbarung.
bis 25. Januar 2012
Samstag, 24. November 2012, 14:00 bis 20:00 Uhr
Sonntag, 25. November 12:00 bis 18:00 Uhr
Di & Do 16:00 - 19:00 Uhr/ Mi 16:00 - 20:00 Uhr (und nach Vereinbarung)
Öffnungszeiten im Januar 2013 ausschließlich nach Vereinbarung.
bis 25. Januar 2012
Sa 24.11.2012 ab 16:00 Uhr
Geräuschlabor.
Tomek Witiak-Gitarre
Dennis Bergmann-Bass
Max Mahlert-Schlagzeug
Bertram Ritter-Vibraphon
ATELIERFRANKFURT, Hohenstaufenstraße 13-25, 60327 Frankfurt am Main
Ausstellungseröffnung: 23.11.2012 von 20-22 Uhr
Günter Zehetner, Peter Wolf, Melanie Wiora, Daniel Wind, Albrecht Wild, Suzanne Wild, Jörg Weil, Herbert Warmuth, Christian Walter, Michael Wagener, Silke Voß, Christoph Von Loew, Mathias Völcker, Michaela Tröscher, Dagmar Tränkle, Malgorzata Sztremer, Young-Wha Song, Jörg Simon, Eun-Joo Shin, Sandip Shah, Eva Schwab, Bertram Schüler, Anne Katrin Schreiner, Edwin Schäfer, Monika Romstein, Lionel Röhrscheid, Sabine Rak, Patrick Raddatz, Diane Preyer, Esther Poppe, Rolf Poellet, Hans Petri, Anny Öztürk, Sibel Öztürk, Julia Nuss, Hanna Rut Neidhardt, Mara Monetti, Bernd Metz, Corinna Mayer, Minka Maslowski, Sandra Mann, Olaf Maisch, Mirek Macke, Marko Lehanka, Eike Laeuen, Sabine Kuehnle, Caroline Krause, Karsten Kraft, Eva Köstner, Franziska Kneidl, Timo Klos, Anne Kaminsky, Marina Jahncke, Martin Holzschuh, Konrad Hasse, Monika Hansebakken, Nathalie Grenzhaeuser, Natalie Goller, Hannah Goldstein, Angelika Gilberg, Sven Fritz, Martin Feldbauer, Andreas Exner, Goekhan Erdogan, Bea Emsbach, Mathias Deutsch, Anja Czioska, Elizabeth Coleman-Link, Sascha Boldt, Maija Blafield, Vesna Bilic, Fides Becker, Chris Barry, Gabriele Sophia Aulehla, Il-Jim Atem Choi, Sven Anders, Daniel Amthor, Jörg AhrntAusstellungseröffnung: 23.11.2012 von 20-22 Uhr
Ausstellungseröffnung PRISMISM // 19.11.2012 // 1822-Forum
Vom 20. November bis 22. Dezember 2012 zeigt das 1822-Forum die Ausstellung
Jagoda Bednarsky
PRISMISM
Die Eröffnung findet am Montag, den 19. November, von 19 - 21 Uhr statt.
Einleitend spricht Henning Strassburger.
1822-Forum
Fahrgasse 9
60311 Frankfurt
Opening / Der Grieche at Flutgraben Berlin
Der Grieche at Flutgraben Berlin
Flutgraben Berlin
Am Flutgraben 3
12435 Berlin
Andy Kania Fabian Fobbe Adrian Buschmann Alex Ruthner
Matthias Krause Hans Petri Christof Mascher Marten Frerichs
Manuel Gorkiewicz Kerstin Cmelka Rainer Neumeier
Sigtryggur Berg Sigmarsson & Dennis Tyfus
Phillip Maiwald Marco Meiran Lilia Kovka
Suse Bauer Markus Golz Christin Berg
Philipp Ackermann Christoph Wüstenhagen
16. November 19 h
Der Grieche
Emser Straße
122/123
12051 Berlin
http://grieche.eu/
Flutgraben Berlin
Am Flutgraben 3
12435 Berlin
Andy Kania Fabian Fobbe Adrian Buschmann Alex Ruthner
Matthias Krause Hans Petri Christof Mascher Marten Frerichs
Manuel Gorkiewicz Kerstin Cmelka Rainer Neumeier
Sigtryggur Berg Sigmarsson & Dennis Tyfus
Phillip Maiwald Marco Meiran Lilia Kovka
Suse Bauer Markus Golz Christin Berg
Philipp Ackermann Christoph Wüstenhagen
16. November 19 h
Der Grieche
Emser Straße
122/123
12051 Berlin
http://grieche.eu/
Sonntag presents - Julien Villaret / Sunday, 18 November / 2-6pm
Sonntag would like to invite you to a matinee presentation by
Julien Villaret
Sunday
18 November
2 - 6pm
Julien's favorite cake,
Mille Feuille,
will be served along with coffee and tea.
Exhibition dates*
18 November - 24 November
*Please contact Julien for viewing arrangements
after 18 November:
julienvillaret@gmail.com
Gossowstrasse 10, 3rd Floor
(Yes, there is a lift)
Bell: Schiesser
10777 Berlin - Schöneberg
U1, U2, U3 Nollendorfplatz
U4 Viktoria - Luise Platz
Sonntag gives artists a domestic environment to install their work, offering a social event the third Sunday of every month serving the artist's favorite cake.
This project was started in September 2012 by Adrian Schiesser and April Gertler.
Tomislav Vukic in der Hessischen Kunsthalle. Eröffnung 21 Uhr
Eröffnung der Ausstellung
Tomislav Vukic
Bar
Samstag 10.11.12, 21 Uhr
Der Künstler ist anwesend.
Hessische Kunsthalle c/o AZITA
Münzgasse 10
Tomislav Vukic
Bar
Samstag 10.11.12, 21 Uhr
Der Künstler ist anwesend.
Hessische Kunsthalle c/o AZITA
Münzgasse 10
about blank. der leere raum oder das verschwinden der dinge
about blank.
der leere raum oder das verschwinden der dinge
27.11.2012 – 03.03.2013
am Sonntag, 25.11.2012, 17 Uhr
Einlass: 16:30 Uhr
Kunstfeuerwerk im Skulpturengarten
mit Sandra Kranich: ca. 17:45 Uhr
Es sprechen:
Jochen Partsch Oberbürgermeister der Stadt Darmstadt
Dr. Peter Joch Direktor Kunsthalle Darmstadt
Ruth Wagner, Staatsministerin a.D. Vorsitzende Kunstverein Darmstadt e.V.
„about blank“ zeigt, wie vielschichtig zeitgenössische Bildhauer die Motive von Verschwinden, Verbergen und Leere nutzen. Die Künstler reflektieren Momente destruktiver Geschichte, vermitteln Inhalte jenseits des Sichtbaren oder zersprengen die Grenzen der eigenen Kunst.
Im Januar 2013 erscheint ein Katalog mit Ausstellungsansichten.
Magdalena Abakanowicz
Gregor Gaida
Sandra Kranich
Heike Weber
Kunsthalle Darmstadt / Steubenplatz 1
64293 Darmstadt / Tel. 06151 891184
Di-Fr: 11-18 Uhr; Sa/So, Feiertage: 11-17 Uhr
geschl.: 24./25.12.; 31.12.2012; 01.01.2013
www.kunsthalle-darmstadt.de
Ermöglicht durch:
Sammlung Sander / The Sander Collection
DAISY: MANWATCHING/ Anthea Hamilton & Julie Verhoeven/ 17/11 PELES LONDON
DAISY: MANWATCHING
Anthea Hamilton & Julie Verhoeven
opening on the 17th of November 2012
7pm - 9pm
with afterparty at MASCARA BAR
18/11/2012-16/01/2013
open by appointment
PELES EMPIRE
25F Belfast Road
London
N16 6UN
UNITED KINGDOM
PELES EMPIRE
25F Belfast Road
London
N16 6UN
UNITED KINGDOM
PELES EMPIRE
Fabrica de Pensule, etaj 1
59-61 Henri Barbusse Street
400616 Cluj-Napoca
ROMANIA
www.pelesempire.com
http://pelesempire.tumblr.com
Anthea Hamilton & Julie Verhoeven
opening on the 17th of November 2012
7pm - 9pm
with afterparty at MASCARA BAR
18/11/2012-16/01/2013
open by appointment
PELES EMPIRE
25F Belfast Road
London
N16 6UN
UNITED KINGDOM
PELES EMPIRE
25F Belfast Road
London
N16 6UN
UNITED KINGDOM
PELES EMPIRE
Fabrica de Pensule, etaj 1
59-61 Henri Barbusse Street
400616 Cluj-Napoca
ROMANIA
www.pelesempire.com
http://pelesempire.tumblr.com
V22 Young London Event: Peles Empire: 09/11/2012
Young London Event
Please join us for our final Friday late at Young London 2012, featuring Peles Empire's ARTISTS TALK(ING) AT THE BAR WITH TUICA.
Based around the notion of copying the copy, Peles Empire (Katharina Stoever and Barbara Wolff) is concerned with themes of reproduction and transformation. Borrowing the name of the late-19th-Century Romanian castle: Peles - the ongoing work is a series of recreations of its eclectic interiors in two and three-dimensional forms.
Artists talk(ing) at the bar with Tuica offers an alternative to the conventional 'Artist Talk' as a means of engaging in conversation with the artists. Katharina Stoever and Barbara Wolff will be serving cocktails made with Tuica, a traditional Romanian plum spirit, and invite us to join them around the bar at V22.
7 - 9 pm
Friday 9th November 2012
www.pelesempire.com
Young London Site
V22
F Block, The Biscuit FactoryCorner of Clements and Webster Rd
Bermondsey
London SE16 4DG
map →
Resident 1: BABAK GHAZI
Resident 1: BABAK GHAZI
11 - 12 November 2012
For two days we will wander with less aim - in conversation, thought and on foot - in Berlin.
Get in touch via text, mail or call
+39 3892568424 member@caribicresidency.com
Beautiful Balance
Beautiful Balance
performing
Friday, November 9th, 7 PM
Neue Alte Brücke
Hafenstrasse 23, Frankfurt
Enhance yr Spectrum
Enhance yr Spectrum
Ian Edmonds
Giovanni Sortino
Opening 7 november 2012 h 6pm
GUM studio, via Aosta 16bis, Torino
She couldn't exorcize her awkwardness and lack of conviction. She sat dappled in light occasionally staring at the sun which screamed from in between the emerald mesh of leaves. A book had told her that dappled light is the best for humans. This was later confirmed when she learned of Brion Gyson resting on a train. The dappled light flitted across his closed eyelids and induced hallucinations. She would hallucinate of triple black diamonds if only she could escape reality.
"HAHAHHAHA!" She laughed out loud.
If only I could escape reality…. She thought to herself. She knew the real problem was confrontation with reality. As a post-op mermaid nearing the end of the two years of surgeries and skin grafts from various labs in various petri shaped patches she would walk in under three years and jog in five. The specialists would fuse her long spine and then split it in half. They would snip her giant liver down to the size of a sea slug (13%) leaving her yellowed and weak. Her psychoanalyst learned just how powerful her advanced genes had made her mind but she found her "opposite of asperger's!!!!" only a burden. The only thing she wanted was to be able to ski. She would douse herself in perfume in the hopes that someone would take her for a winter hare and not a spring salmon. Some true exercise! She didn't want to be the Darryl Hanna of Splash! but the one of Blade Runner. Not a mythical being of singularity but the replicant without an original thought. She had heard a lot of pop music in her time on land and her emotions seemed predictable enough.
She was conceived in the semen filled seas of Blubber Bay where two hipsters on a Ryan McGinley photo shoot came to mate with the herring under the pink curtains of aurora borealis. She spent most of her life alone. In the early 80's she fell in with a pod of porpoises near Hornby Island but she could never hit the high notes and didn't care much for their whines anyways. She met Errol there. He loved her chelsea. She thought he was nice until she found out he didn't know what "NO" meant. After that she bummed around the Mediterranean. She made money how anyone in her position would. She took advantage of religious people. In this one village near Messina she found people throwing money into the sea. She threw a rock back.
.
Non poteva immaginare che dagli sci, allo snowboard, alla pinna sarebbe passato un anno e mezzo.
Ci troviamo a metà. Guardando in mezzo alle ginocchia il bianco restava bianco. Retrocedendo con il fuoco poteva ora vedere, in ordine: snowboard, cosce, ginocchia, onde della giacca, mani, guanti, pass, portapass; avrebbe riso il suo nome sottosopra, sarebbe diventata seria con il portapass ma fu troppo in fretta e rimase ebete.
"Dio non voglia che fosse attaccamento personale a incidenti di percorso, quindi traduzione e evoluzione estetica degli stessi" gridò.
La signora, che stava alla sua sinistra, bleffando chiese "Era un collega?"
"NO" rispose... voleva chiudere la conversazione. Non ci riuscì.
"Mio nipote aveva una piscina..."
La signora poteva leggere il pensiero e scorse Santino e Thamara. Così continuò tradendo il suo bluff. "Si lo so che il mare è il mare, io sto con te, finora siamo due contro due e poi non portarti il passato in seggiovia... Dicevo mio nipote non aveva preferenze, ma un giorno svuotò la piscina e fece un "NO" cemento e forati due metri per due.
Dopo i famosi 40 giorni di pioggia, l'acqua sporca copriva metà di quel "NO".
La parte superiore vi si specchiava, così, quando andai a fargli visita stava lì, fiero, vicino ad una nuova parola simile a "DIO".
/ PARALLEL BORDERS /
Franziska von Stenglin
MUTTER ERNST SAID NO
MUTTER ERNST SAID NO
Samstag, den 10.11.12
Da Cimino, Adalbertstraße 29 60486 Frankfurt am Main
Apfelweinwirtschaft Adolf Wagner Schweizer Straße 71 60594 Frankfurt
London, Paris, Tokyo - Vernissage 8. November, ab 18 Uhr
präsentiert
Christian Tonner / Tomislav S. Vukic / Lillie Khan / Yasuaki Kitagawa
London, Paris, Tokyo
Vernissage Donnerstag 8. November, ab 18 Uhr
Ausstellungsdauer: 10. November — 08. Dezember 2012
Organisiert von Annina Matter und Urs Zahn in enger Kooperation mit Galerie Milieu in Bern. Für die ausstellenden Künstler ist London, Paris, Tokyo die erste Ausstellung in der Schweiz.
Organized by Annina Matter and Urs Zahn in a close cooperation with the Milieu Gallery, Bern. London, Paris, Tokyo is is the first show in Switzerland for all the exhibiting artists.
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Diese Ausstellung wird von der Stanley Thomas Johnson Stiftung, der Stadt und des Kantons Bern und der Burgergemeinde Bern unterstützt. Wir danken herzlich.
—
For further information please visit: http://www.milieu-digital.com
Opening hours, Thu. 17—21pm / Sat. 11am—16pm (or scheduled individually)
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Münstergasse 6
les trucs tour & video
les trucs........ new album
"the musical"
watch teaser: https://vimeo.com/52259916
tbr 23.nov CD @knertz /LP @zeitstrafe
komm vorbei komm vorbei:16.11.2012 | DE - Karlsruhe - Halle 14
17.11.2012 | FR - Nancy - Caveau du Grand Sauvoy
18.11.2012 | FR - Lyon - tba
19.11.2012 | FR - Montpellier - Black Sheep
20.11.2012 | FR - Marseille - Machine a coudre
22.11.2012 | FR - Le Mans - Le Lézard
23.11.2012 | FR - Paris - Scop' club
24.11.2012 | FR - Nantes - Le Stakhanov
25.11.2012 | FR - Lille - CCL
26.11.2012 | FR - Reims - L'ecluse
27.11.2012 | DE - Frankfurt - Café Koz
28.11.2012 | DE - München - Kafe Kult
29.11.2012 | DE - Würzburg - Cairo
30.11.2012 | DE - Marbug - Trauma
01.12.2012 | DE - Leipzig - Nullunendlich
03.12.2012 | DE - Berlin - Schokoladen
04.12.2012 | DE - Hamburg - Rote Flora
05.12.2012 | DE - Köln - Aetherblissement
06.12.2012 | FR - Thionville - Les Mystères de l'Ouest
07.12.2012 | BE - Bruxelles - Le Bed and Breakfast
08.12.2012 | DE - Bremen - Spedition
21.12.2012 | FR - Strasbourg - Molodoi
www.lestrucs.org
"the musical"
watch teaser: https://vimeo.com/52259916
tbr 23.nov CD @knertz /LP @zeitstrafe
komm vorbei komm vorbei:16.11.2012 | DE - Karlsruhe - Halle 14
17.11.2012 | FR - Nancy - Caveau du Grand Sauvoy
18.11.2012 | FR - Lyon - tba
19.11.2012 | FR - Montpellier - Black Sheep
20.11.2012 | FR - Marseille - Machine a coudre
22.11.2012 | FR - Le Mans - Le Lézard
23.11.2012 | FR - Paris - Scop' club
24.11.2012 | FR - Nantes - Le Stakhanov
25.11.2012 | FR - Lille - CCL
26.11.2012 | FR - Reims - L'ecluse
27.11.2012 | DE - Frankfurt - Café Koz
28.11.2012 | DE - München - Kafe Kult
29.11.2012 | DE - Würzburg - Cairo
30.11.2012 | DE - Marbug - Trauma
01.12.2012 | DE - Leipzig - Nullunendlich
03.12.2012 | DE - Berlin - Schokoladen
04.12.2012 | DE - Hamburg - Rote Flora
05.12.2012 | DE - Köln - Aetherblissement
06.12.2012 | FR - Thionville - Les Mystères de l'Ouest
07.12.2012 | BE - Bruxelles - Le Bed and Breakfast
08.12.2012 | DE - Bremen - Spedition
21.12.2012 | FR - Strasbourg - Molodoi
www.lestrucs.org
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