This city on the seashore, they say it is built of marble


Deniz Eroğlu 
This city on the seashore, they say it is built of marble

Eröffnung 15. November 2015
16. November - 13. December 2015

"Frankfurt am Main", Wildenbruchstraße 15, Berlin
  
"It was brought by a relative from Germany who came to visit me in Denmark.

He bought it in Germany. There was the motif of the Grand Mecidiye Mosque on the carpet. The view of Bosphorus on it was mesmerizing. Seeing the carpet on the wall would make one feel like living in unison with Turkey.

The handmade tea-urn, Turkish coffee cups, handmade Turkish vases added beauty to the house, so did the hand knotted carpet. Seeing furniture particular to Turkey in the house made us happy and at the same time astounded our guests."
- Mustafa Eroğlu

"We're hopeful – I think."


"We're hopeful – I think."

Mikhail Wassmer & Alexander Tillegreen

Eröffnung 04.11.2015, 19:00 Uhr
Künstlergespräch 05.11.2015 11.00 Uhr
Öffnungszeiten 05-06.11.2015, 14-17 Uhr

https://www.facebook.com/events/1184976078198347/

Galerie der HFBK
Lerchenfeld 2
22081 Hamburg
Germany

Reverse time Your eyes will lie


Reverse time Your eyes will lie

Jasmin Werner
Jan Domicz

SPREEZ
07.11.2015 - 07.12
Schwanthalerstr. 147
Munich, Germany

''Der Tausch''


''Der Tausch''

Mit sechs Eicheln, zwei Gummibändern und einer Fünfzigbanimünze in der Tasche, kam ihm der Gedanke aus Wenig, Mehr zu machen. Der beste Weg dorthin, Tauschen. Schon in kurzer Zeit gelang es einen rosa Glasstein für eine Eichel, Handgel für eine andere Eichel und den mysteriösen Removering im Tausch gegen ein Gummiband zu erhalten. Jetzt zieht der Künstler durch die Welt mit dem Bestreben seine Sammlung zu erweitern. Wer Teil des Tauschs werden will, der spreche ihn einfach an.

Aktion im öffentlichen Raum
Datum: 03.11.2015 - 30.01.2016
Ort: immer da wo der Künstler gerade ist
http://felixmuffinbolze.blogspot.de

Doppelzimmer #3 – fyr - Filippa Pettersson / Rasmus Søndergaard Johannsen


fyr
Filippa Pettersson / Rasmus Søndergaard Johannsen
7.11.–30.11.15
Opening: Friday, 6.11.15, 19–22 h
The opening night will be accompanied by the performance "Don’t be a stranger" by Filippa Pettersson with Amy Ball, at 8pm.

KUNST-WERKE
Auguststraße 69
Berlin

http://www.kw-berlin.de/de/exhibitions/double_room_506
https://www.facebook.com/events/701606219941167/
http://doppelzimmer.tumblr.com/

Supported by the Danish Arts Foundation and the Städelschule Portikus e.V.

New Suprematism


New Suprematism

Gruppenausstellung mit:

Jagoda Bednarsky
Inga Danysz
Tobias Donat
Sandra Kranich
Michael Pfrommer
Martin Wenzel

Ausstellungseröffnung:
13. November 2015, 19:00 bis 21:00 Uhr

Dauer der Ausstellung:
14. November bis 19. Dezember

PPC
PHILIPP PFLUG CONTEMPORARY
BERLINER STRASSE 32
60311 FRANKFURT AM MAIN

+49 160 918 811 63
MAIL@PPCONTEMPORARY.COM
WWW.PPCONTEMPORARY.COM

OPENING: 03.11.2015, 19h Maki Ishii - Logis du paradis


OPENING 03.11.2015, 19h

Maki Ishii

Logis du paradis
04.11.2015 - 06.12.2015

The screen is not a frame but a hideout; the man or woman
who emerges from it continues living: a "blind field" constantly doubles our partial vision.

-La Chambre Claire Roland Barthes 1980-

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https://www.facebook.com/events/540292942793698/

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TheTip
Oppenheimer Landstraße 85H
60596 Frankfurt am Main, Germany
TheTip.de

SOME FLOWERS FROM KENYA


SOME FLOWERS FROM KENYA

an approach

exhibition by Sarah Schoderer
opening thursday 29th of october, 7 pm

exhibtion dates: 30th of october 2015 - 8th of january 2016

Galerie Perpétuel
Oppenheimer Straße 39
60594 Frankfurt

info@perpetuel.net
www.perpetuel.net
opening dates: Tue, Wed, Thu 2-6 pm
sat 11 am -2 pm and by appointment

DIREKTION - Seb Koberstädt und Jonas Maas @Langestraße 31 - opening Friday, 30.Oct


DIREKTION - Seb Koberstädt und Jonas Maas @Langestraße 31 - opening Friday, 30.Oct

Langestraße 31/FFM am kommenden Freitag.

Lucas Fastabend
Langestraße 31
60311 Frankfurt
www.direktion.de

Re: Affine: Martin Dörr, Andrea Farrenkopf, Felix Krapp, Sarah Schweizer


Re: Affine: Martin Dörr, Andrea Farrenkopf, Felix Krapp, Sarah Schweizer

Opening: Thursday, October 22, 19 h
October 23 - 24, 12 - 18 h

curated by Franz Hempel, Lena Trüper, José Segebre

https://www.facebook.com/events/1653845488192616/

Book presentation at Spector Books-party in Frankfurt am Main, TOMORROW

 
Pier Vittorio Aureli, Robert Burghardt, Florian Schmidt, Jessica Sehrt, Martin Stiehl, Martino Tattara, Jeronimo Voss: "Communal Villa: Production and Reproduction in Artists' Housing", by Dogma and Realism Working Group, at the Book Fair-party of Spector Books, Thursday, Oct 15, 20:00, Concorde, Allerheiligentor 2-4 in Frankfurt am Main.

Dario Wokurka 3 Sculptures for Vienna


Dario Wokurka
3 Sculptures for Vienna

15-10-2015

7pm

until 13-11-2015

a space that can lead somewhere else, implicitly
one possibility grafted onto another impossibility,
comes in a fold, possibly misread as a hold,
the cold of some basement or a cloud-like grayish garment.
if there has to be a future, this is where it will
break the prediction curves that necessarily get
pulled out of poor waters while the acknowledgement
of the curve might be of a limping beauty. this is nonsense,
or somewhat of a non-sequitur, but meditate for once on the
insistence or non-insistence on mediated understanding and
how it can so readily be exploited as a tool of and for exploitation,
the screwdriver of erudite perspective that turns its head and
watches them getting screwed, exclaiming that
their needs and desires as well as activities are laboriously
fabricated by mineralogical existence while these minerals
themselves only get empowered or animated by assignment,
not by volition, distinct from volume, which has
not yet been reconsidered as it may or may not be real.
really, activities could also be considered as having a volume,
accommodating varying valencies, contentment and weariness.
if their curves are embedded in the curve- making process,
the waves might regain their superfluous liquidity.

Löwengasse 18, 1030 Wien
www.mauve-vienna.com

OPENING: JULIEN NGUYEN | FRIDAY 16 OCTOBER | 7PM


POV

Julien Nguyen

Opening: Friday 16 October 2015, 7pm
16 October - 16 December 2015

With the publication of "My Whole World" by Hardy Hill.

EXCERPT:

The Integrated Library System was an advanced piece of software, expensive too, evidenced by the interface which was not user friendly. The system was providing him with data, obscuring the blush of real-complicated human lives only a little, but also bearing it witness, this was a matter of fact. The advanced software could have generated different kinds of visualizations of the little living light data-points, but the software engineers probably had different ideas about the big trick of trying to see the all-atonce world from any given angle or vantage point, and so cold comfort, cold comfort.

There had been two hangings during the preceding week in the area used for public holidays and markets and celebrations and hangings, located across the canal. But Enos Enoch the librarian had not been a part of their organization or the construction of the modular steel gibbet or the festooning of the modular steel gibbet with pine garlands or the distribution of tokens of memory and sentimental attachment to the on-lookers.

The Hangman had had similar emotional reflections to the ones Enos Enoch was having just right then during the proceedings, especially upon activating the release for the platform, modernized (hatred and the intentional doing of harm were not tolerated, even in such sorry matters and strange countries) and so achieved by motorized hinge and valve, which had brought to swift conclusion the worries and financial obligations of the horse thief, and consecrated him to the motionless axis of rotation, which we call Joy and which we call life-everlasting. Still, the reflections felt pretty much just those of Enos Enoch’s personal mind on the blue day we are talking about.

Enos Enoch the Librarian was also thinking about the Lotus Eater across the deep as deep depression ocean, and was attempting a spiritual projection to help that the Lotus Eater wouldn’t forget his very-old-home like lotus eaters are want to do whenever they get a chance to.

Enos Enoch the Librarian was also having thoughts about the Lotus Eater across the deep as deep depression ocean, and he was formulating prayers because he really wished that the Lotus Eater could find new life, and see joys everlasting, and not struggle so much anymore. And he could really feel and experience troubles separated from him by a great large deal of white and sometimes-black and cold water, and this was unusual, because evil should not cross water, except he supposed as in cases such as this, where it is attached like a sucking fish to love of the real variety.

Rebirth, KY
Harmony, NH
Agape, OR
Rebirth, AK
Gloucester, MA
Adaptation, AR

And so on.

Mark Dickenson
NEUE ALTE BRÜCKE
Hafenstrasse 23
60327 Frankfurt am Main
+49 (0)176 6422 6509
info@neuealtebruecke.com
www.neuealtebruecke.com

www.facebook.com/pages/Neue-Alte-Brücke/335880709854882

INVITATION I Laboratory for the Maximization of Spacial Qualities


http://salon.io/LaboratoryForTheMaximizationOfSpacialQualities

Katharina Schücke, Sandra Havlicek, Tegan Moore

Friday 16th of october 7.30pm
at Christinegård Mansion
Formannsvei 3, Sandviken /Bergen

Opening Hours
10/17 - 12.00pm - 5.00pm
10/18 - 12.00pm - 5.00pm

Laboratory for the Maximization of Spacial Qualities

The second floor living room in a historic mansion, is at once a studio, makeshift salon, place for reception, and laboratory. It “integrates intimacy, eccentricity, and other forms of formally unofficial forms of creation. Private and public spheres get entangled in a blurred zone of hyperproduction”.*
Nein! Nein! Nein! OK Fine! A Good Man-darin Is Hard To Find
Observations of undefined spacial encounters are tested out on the surface of the fingernail. The surface of the nail is chosen as counterintuitive platform for transferral of spacial qualities. With this method of transference, spacial quality itself is contested in the very impossibility of the nail to represent it and the labor required to make such an attempt.
Quiet Time. 372.
The lab transfers diverse textures and structures in the landscape using cell structure of a sponge while also positioning the sponge as an object of display. In this instance the sponge is a tool and readymade at the same time, admitting it’s own artificiality. In other cases the natural object is imitated and transformed into a tool and vice versa. A slate shingle made from plastic is used as a work station for the abstraction of a manicure. Industrial vapour barrier is made visible as an architectural blue sky.
Size Matters. Plastic Beach. Ciel Glacial **

* Hito Steyerl,“Is a Museum a Factory?” 2009.
** Selection of nail polish names

All right, well, I'm gonna have to save it... again. / Opening October 20, 2015, 6.30pm


All right, well, I'm gonna have to save it... again.
Il-Jin Atem Choi

21.10. - 26.10.2015 Vernissage 20.10. 18.30 Uhr
Es spricht Andreas Exner

Öffnungszeiten: 21.10. 14-16 Uhr (Künstlergespräch ab 16 Uhr)
und nach Vereinbarung: atem@atemmeta.de

Ausstellungshalle Sophienstrasse, Sophienstrasse 3
60487, Frankfurt am Main, Goethe-Universität
Institut für Kunstpädagogik

Curatorial Studies Studierende kuratieren Ausstellungsreihe DOPPELZIMMER - KW Institute for Contemporary Art Berlin


DOPPELZIMMER # 2: Rosa Aiello / Cooper Jacoby

Opening: Friday, October 9, 2015, 7–10 pm, Reading 8 pm

The opening will be accompanied by a reading with Rosa Aiello, Tess Edmonson, Eva Kenny and Hannah Black.

KW Institute for Contemporary Art
KUNST-WERKE BERLIN e.V.
Auguststraße 69
D-10117 Berlin

http://www.kw-berlin.de

Bernhard Schreiner live at mak Frankfurt - sat. oct. 10th 7pm


Bernhard Schreiner live (zither / electronics)

Museum für Angewandte Kunst
Saturday October 10th - 7pm

The concert is part of the ongoing exhibition
Sense of Doubt Wider das Vergessen.

RANDOM RULES - October 10th

RANDOM RULES

Group Show
Saturday, October 10 2015
18:00

Helga Bärnarp
Christin Berg
Milena Büsch
Graziano Capitta
Eliza Douglas
Ian Edmonds
Edgars Gluhovs
Hanna Maria Hammari
Lena Henke
Dan Kwon
Erika Landström
Dani Leder
Claudia Lemke
Vera Palme
Natalia Rolon
Elif Saydam
Marcello Spada
Anina Troesch
Julian Tromp
Christian Zickler

Address:
Dalbergstraße 64
Aschaffenburg

U Won A Maserati | Opening October 13, 2015


You Won a Maserati

Hilda Stammarnäs, Manuel Raven

13.10.2015 - 20.10.2015
Opening reception: October 13, 7-9 PM

New works

For further information and inquiries please contact the artists
(hildastammarnas@gmail.com, mr@manuelraven.com).

Neue Mainzer Strasse 22
60311 Frankfurt

Hours: by appointment

Opens tomorrow the 19th from 3-6pm / Ellison, Erkan, Gimbrone, Holmes, Hudinilson Jr., Willats


Park View

The Social Register
with
Buck Ellison
Elif Erkan
Jules Gimbrone
Tom Holmes
Hudinilson Jr.
Stephen Willats

19 September – 7 November 2015

Opening
Saturday, 19 September from 3-6pm

Press Release

For more information or images please contact Paul Soto at paul@parkviewparkview.com.

Park View
836 S. Park View Street, #8
Los Angeles, California USA 90057
www.parkviewparkview.com

Hours:
Wednesday – Saturday 12-6pm

MMODEMM Night / ROLANDE GARROS Live / Joscha Baumert & Eduardo Sadico


bar-live-djs-lowculture
--Mmodemm celebrates ROLANDE GARROS EP RELEASE---!!
Joscha Baumert & Eduardo Sadico hinterm Glittervorhang (house)

For Barflies & Dancers!!!

Rolande Garros (live)
https://soundcloud.com/rolandegarros

Djs:
Joscha Baumert
http://itsoktohateyourjob.com/joscha_baumert.html
Eduardo Sadico
https://soundcloud.com/eduardo-sadico

www.mmodemm.com


Dreikönigskeller Frankfurt
Färberstraße 71
60594 Frankfurt

Facebook

Next opening, Berlin: SETH PICK, Humiliations, October 9, 7-9 pm


GERHARDSEN GERNER BERLIN

Seth Pick
Humiliations
Exhibition duration: October 9 – November 14, 2015

My father suffers from a congenital condition called Dupuytren's contracture. It’s a connective tissue disorder, which results in the palmar fascia becoming thick and hard, leading to contraction of the tendons. His hand was beginning to claw; his little finger now suffers muscle loss where therapeutic collagen injections have given some relief. Despite a temporary improvement, he can no longer play the piano, which I think he feels as a keen private loss. More than that, he’s disgusted his body has anything shared with Margaret Thatcher or Ronald Reagan, who both also suffered from what is known as “Viking’s Hand”.

Where Jesus, painted, raises his index and middle finger, palm out, and clasps his little finger and ring finger down. This gesture is a benediction; it is with this blessing that worshippers will leave the Christian temples, once a week, spoken well of. The gesture passes through liturgy, yes; but also it is written deep in the sentimental structures of believer’s lives. To see the gesture, painted on board a millennia ago, the same warmth bestowed in childhood comes back. Repetition gives even more strength to a simple physical act of goodwill.

My niece swiped my mobile device from my hand, as I was distracted, pouring a brown bottle of ale into a dimpled glass tankard. “Let me show you where me and Mummy live”, she said, and my heart was raised as she dived into my notebook, my telephone, my photograph album. She understood the map and the aerial photographs as second nature, and made a simple gesture, pulling her second finger and her thumb into a pinch against the screen. Instantly the frame of the world shrank towards the little collection of streets that make up the housing estate on which she lives.

Autonomia Operaia [Workers’ Autonomy] was a political force in Italy in the ‘70s characterised by absolute refusal. The response of the state matched that ethos, and the years of combat between workers on one hand, and fascists and State forces on the other, was known as the “Years of Lead”. The “Copernican Turn” that marked their rejection of orthodox Marxist organising was gestural too; rather than using the “clenched fist” salute of the earlier workers’ movements, many adopted, instead, a salute of the index and second finger, high into the air with the thumb extended. The salute was intended to symbolise a Walther P. 38, the handgun of choice for those who rejected any compromise with the State. Cities on the verge of civil war and thousands of young people throwing a hand up in common salute.

In his vegetable patch, my Dad forces his foot onto the shovel and turns the earth. It’s full of worms, but in the far North of England, high above sea level, growing anything can be difficult. He reaches down and pulls a fat, heavy potato from the earth, enough for a full dinner. The wet black soil clings in clumps. Holding the potato in one hand, and using the flat palm of the other, he brushes the worst of the muck off with a couple of swipes. It’s like a simple, undiscovered statuette, a clumped golem. I look at his dark hands; a fish-farmer, a mountaineer, a sailor, holding his potato. I try and guess how many hundreds of thousands of feet of wet rope have slid through his hands, as he passes it to me. My fingers are uncracked; I type at 70 words per minute, leaving grease on the keys.

Huw Lemmey 2015

Holzmarktstrasse 15–18
S–Bahnbogen 46
10179 BERLIN / Germany
www.gerhardsengerner.com

T: +49 30 69 51 83 41
Tue–Sat 11am–6pm